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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Broadchurch, Series 3, ITV

Tuesday, 28 February 2017 Read more...

SS–GB, BBC One

Monday, 20 February 2017 Read more...

The Founder

Wednesday, 15 February 2017 Read more...

Arena: Alone with Chrissie Hynde, BBC Four

Saturday, 11 February 2017 Read more...

Unforgotten – Series 2 Finale, ITV / After Brexit: The Battle for Europe, BBC Two

Friday, 10 February 2017 Read more...

Fences

Thursday, 09 February 2017 Read more...

The Good Karma Hospital, ITV

Monday, 06 February 2017 Read more...

Gold

Tuesday, 31 January 2017 Read more...

Francis Bacon: A Brush with Violence, BBC Two

Sunday, 29 January 2017 Read more...

Hacksaw Ridge

Thursday, 26 January 2017 Read more...

Homeland, Series 6, Channel 4

Monday, 23 January 2017 Read more...

T2 Trainspotting

Friday, 20 January 2017 Read more...

Live by Night

Thursday, 12 January 2017 Read more...

Taboo, BBC One

Sunday, 08 January 2017 Read more...

Unforgotten, Series 2, ITV

Friday, 06 January 2017 Read more...

The Halcyon, ITV

Tuesday, 03 January 2017 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Elizabeth Alker: Everything We Do is Music review - Prokofie...

Composers and musicians explore acoustic...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...