thu 28/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Fearless, Series Finale, ITV review - big build-up to an anticlimax

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Game of Thrones, Series 7, Sky Atlantic review – slow, but it's just the beginning

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War for the Planet of the Apes review – long on budget, short on ideas

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Steve Winwood, Eventim Apollo review - multi-talented performer redesigns his back catalogue

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Spider-Man: Homecoming review - fresh, funny version of the arachnid avenger

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Melvyn Bragg on TV, BBC Two review – too many talking heads, too little action

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Sudan: The Last of the Rhinos, BBC Two review - requiem for disappearing wildlife

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Bat Out of Hell, Coliseum review - Jim Steinman's rockin' dystopia hits the stage

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Chance, Universal review – Hugh Laurie is reborn as a film-noir shrink

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Ripper Street, BBC Two, Series 5 review – apocalypse looms in Victorian Whitechapel

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Whitney: Can I Be Me review - tragic account of superstar who fell to earth

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Poldark, Series 3, BBC One review - tempestuous passions and pantomime villains ride again

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Summer of Love: How Hippies Changed the World review - the weird and wonderful roots of the Sixties counterculture

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The Mummy review – please don't let them make a sequel

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Ackley Bridge, Channel 4 review – can the town's new academy bring racial and social harmony?

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Sgt Pepper's Musical Revolution, BBC Two review - how the Fab Four changed pop music forever

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'We are bowled over!' Thank you for your messages... ...
King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...