wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Dig, Netflix review - a haunting exploration of time and timelessness

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Marcella, Series 3, ITV review - Anna Friel returns as the defective detective

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Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?

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Servant, Apple TV+ review - shocks, shivers and black humour in missing-baby saga

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Finding Alice, ITV review - thriller, comedy or melodrama?

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Spiral, Series 8, BBC Four review - dark days in the City of Light

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Steve McQueen: The Lost Movie, Sky Documentaries review - the classic motor racing film that never was

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The Great, Channel 4 review - Russian history gets a whirl in the fictional blender

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Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

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All Creatures Great and Small: Christmas Special, Channel 5 review - big and little dramas in the Dales

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Let Him Go review - melancholy family drama morphs into ferocious thriller

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Wonder Woman 1984 review - be careful what you wish for

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Mosul, Netflix review - gruelling story of Iraq's Nineveh SWAT team

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Tin Star: Liverpool, Sky Atlantic review - massed mayhem on Merseyside

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Coronation Street: 60 Unforgettable Years, ITV review - inside story of the world's longest-running TV soap

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Host review - Zoom seance triggers unspeakable consequences

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latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...