wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British Establishment

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Keeping Faith, Series 3, BBC One review - is the drama turning to melodrama?

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Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

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The One, Netflix review - the downside of scientific matchmaking

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

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Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

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The Terror, BBC Two review - nightmare in the Arctic wastes

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Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

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Billie Eilish: The World's a Little Blurry, Apple TV+ review - sprawling account of the singer's rise to superstardom

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Bloodlands, BBC One review - ghosts of the Troubles return to poison the present

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Whirlybird: Live Above LA - Storyville, BBC Four review - rise and fall of the first couple of airborne TV news

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ZeroZeroZero, Sky Atlantic review - how drug money makes the world go round

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The Drowning, Channel 5 review - unbelievable

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Spiral, Series 8 Finale, BBC Four review - justice is done in stormy climactic episodes

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Assassins review - unravelling the bizarre death of Kim Jong-nam

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latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...