tv
Trust Me, BBC One, series finale review - drama about fake doctor was also pretendingWednesday, 30 August 2017
Trust Me made an eponymous plea to the audience. Its implausible premise – that a nurse might steal a doctor’s identity and land a job in A&E – called for your credulity. Read more...
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Strike: The Cuckoo's Calling, BBC One review - JK Rowling's debut in crime bows most promisinglyMonday, 28 August 2017
There’s a new ‘tec in town. Cormoran Strike may look like one of life’s losers – he’s on the edge of bankruptcy, sleeps in the office, and what passes for a personal life is a right mess – but in Tom Burke’s portrayal I suspect he’s going to be winning audiences in a big way. Read more... |
Wasting Away, Channel 4 review - we can't fix people while the NHS is brokenFriday, 25 August 2017
Journalist Mark Austin is no stranger to conflict, having reported from war-torn landscapes including Rwanda, Iraq and even the ITN newsdesk. However, when the battle lines were drawn closer to home and involved an enemy he couldn’t see, the veteran journalist found himself in unfamiliar territory and without any kind of roadmap. Read more... |
The State, Channel 4 review - dishonest portrait of British jihadisMonday, 21 August 2017
It’s a burning question of western civilisation: what persuades young people brought up among us to walk out on their lives and join the cult of murderous fanatics who call themselves Islamic State? Read more... |
No More Boys and Girls, BBC Two – baby steps lead to great leaps for childrenThursday, 17 August 2017
Whether it’s the £400,000 that separates Mishal Husain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus and Mars, there is a gulf between the genders. Despite legislation to enforce equality, the reality is that, right from the start, boys and girls are treated differently. Boys like trains, right? Read more... |
I Know Who You Are, series finale, BBC Four review - gripping, but no one to root forSunday, 13 August 2017
The first thing to say is that this wasn’t the actual end. BBC Four scheduled I Know Who You Are to run two episodes a night over five Saturdays. The innocent punter might have assumed that after 10 x 70 minutes of the Spanish import, we’d arrive at some sort of terminus. Read more... |
Citizen Jane review - portrait of a New York toughieThursday, 10 August 2017
When you’re next strolling through Washington Square Park, or SoHo, or the West Village, you can thank Jane Jacobs that those New York neighbourhoods have survived (though she'd blanch at the price of real estate). Four-lane highways almost dissected and ruined them in the mid-Fifties, but her grass-roots activism saved those higgledy-piggledy streets. Read more... |
Trust Me, BBC One review - Jodie Whittaker's tense medical check-upWednesday, 09 August 2017
Even the canniest scheduler at BBC One couldn’t have arranged things so propitiously. Jodie Whittaker was already filming the medical drama Trust Me when she was cast as you know Who. Read more... |
Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?Wednesday, 09 August 2017
Only man is vile, goes the hymn, and yet humankind has always imagined ideal societies where people care for one another, everyone has access to anything necessary physical and emotional well-being, and all is for the best – without irony – in the best of all possible worlds. Read more... |
Fargo, Series 3 Finale, Channel 4 review - the best drama of the year?Thursday, 03 August 2017
“This is a true story. This is a story…” The self-referential nature of Noah Hawley’s baroque narrative arc was one of the great joys of the third season of Fargo. Over the past 10 weeks its constant invention, cinematic tricks and award-worthy performances have come together to produce the best drama of the year (so far). Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Dept. Q, Netflix review - Danish crime thriller finds a new...
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...
The Queen of Spades, Garsington Opera review - sonorous glid...
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I think The Ballad of Wallis Island is the best...
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Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...
The Salt Path review - the transformative power of nature
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...
Elephant, Menier Chocolate Factory review - subtle, humorous...
This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...
Album: Nick Mulvey - Dark Harvest Pt.1
Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare...