tv
Gold Digger, BBC One review - Julia Ormond tackles those mid-life bluesWednesday, 13 November 2019
A tip of the hat to Julia Ormond for boldly going where many an actress might have chosen not to. In this new six-parter by Marnie Dickens, she plays Julia Day, a mother of three who’s just divorced her husband and is turning 60. Read more... |
Ant Middleton and Liam Payne: Straight Talking, Sky 1 review - when the commando met the pop starWednesday, 13 November 2019
“What is wrong with us? What are we doing here?” Liam Payne asked the camera, as we neared the end of his jaunt round picturesque Namibia with his quizmaster Ant Middleton. The short answer would be “it’s for the publicity, you idiot,” but of course he knows that full well. He’d just leapt off a cliff face and swung in wide circles on a rope above the russet-coloured desert far below. Read more... |
World on Fire, BBC One, series finale review - may this fine war drama fight onMonday, 11 November 2019
A bit like all those people on the home front in 1940 (but only a little bit), we sit and nervously wait for news. Is World on Fire (BBC One) still listed among the living? Or even now is someone typing up the letter and sticking it in a brown envelope? Read more... |
Arena: Everything is Connected - George Eliot's Life, BBC Four review - innovative film brings the Victorian novelist into the presentMonday, 11 November 2019
Gillian Wearing’s Arena documentary Everything is Connected (BBC Four) is a quietly innovative biography of an author whose works still resonate with their readers and the country within which she wrote. Read more... |
The Fall of the Berlin Wall with John Simpson, BBC Four review – the future we’ve left behindFriday, 08 November 2019
John Simpson remains the BBC’s longest serving foreign correspondent. Here, he returns to the biggest moment of his career. This personalised retelling of the collapse of the Berlin wall encompasses fond remembrance, factual detail and the confidence of retrospective analysis. And, the big BUT question is addressed: where are we now? Read more... |
Dublin Murders, Series Finale, BBC One review - eerie detective drama grips tightlyWednesday, 06 November 2019
You wouldn’t expect a drama called Dublin Murders (BBC One) to be a laugh a minute, but the cumulative anguish, menace and torment of this eight-parter made it almost unbearable, even if viewers were thrown a tiny scrap of hope in the final frames. Read more... |
Rich Hall's Red Menace, BBC Four review - laconic comic referees the Free World versus CommunismWednesday, 06 November 2019
Who won the Cold War? Nobody, according to comedian Rich Hall in this 90-minute film for BBC Four. His theory is that after the symbolic fall of the Berlin Wall 30 years ago, Russia and America merely “flipped ideologies”. Read more... |
Rick Stein's Secret France, BBC Two review - is the travelling chef's palate growing jaded?Tuesday, 05 November 2019
Another year, another cookbook. Rick Stein is back for his next round of food travels and this time, we’re going to France. “For the French, food isn’t part of life, it is life itself,” says Stein, as his Porsche zips through the French countryside. Read more... |
His Dark Materials, BBC One review - generic TV fantasy with ready-made twistsMonday, 04 November 2019
The good news is that television's serial slow burn will allow for a lot more original Pullman to make its way to screen than was possible in the one and only instalment of the intended film trilogy, The Golden Compass. Its virtues were many, despite drastic late alterations, and in terms of casting and cinematography, this version doesn't look set to outstrip it. Read more... |
Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP businessSaturday, 02 November 2019
Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to peek through the keyhole of a locked cabinet. How does the “RIP business” work? How much – so goes another question – are we really allowed to see? Read more... |
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