wed 18/06/2025

tv

The Hollow Crown: Henry IV Part 1, BBC Two

Matt Wolf

Now we're talking! Following on from a small-screen Richard II of greater aural than visual interest, along comes Richard Eyre's TV adaptation of both Henry IV plays, and the first thing that seems evident about Part One is how well it would hold up in the cinema.

Read more...

Episodes, Series Finale, BBC Two

Fiona Sturges

There are a few things wrong with Episodes, the comedy series in which Stephen Mangan and Tamsin Greig play a British scriptwriting couple who take their hit sitcom across the pond, but there’s a lot more that’s right with it.

Read more...

Michael Johnson: Survival of the Fastest, C4

Veronica Lee

What a dicey subject for debate Michael Johnson opened here, one that has scuppered the career of academics and social commentators alike, and which will have made many of his audience feeling deeply troubled. Johnson, now 44,  competed at three Olympic Games between 1992 and 2000, won four Olympic gold medals at 200 metres and 400 metres, and still holds the world record for the latter.

Read more...

Storyville: Hitler, Stalin, and Mr Jones, BBC Four

Tom Birchenough

The Storyville documentary strand must rank as one of the special glories of British television. As its opening titles unfold in different languages, we can only celebrate programmes that still give time to international stories, told in their own time, and allowing an eclectic, sometimes oblique view on their subjects. Hitler, Stalin and Mr Jones, a film by George Carey (pictured below), serves as a rallying cry to endorse exactly that.

Read more...

Blackout, BBC One

Jasper Rees

A drama featuring mayoral politics and an unsolved death. Hm. What’s the Danish for déjà vu? By the end of episode one of Blackout, you were wondering when Sara Lund was going to strut into the town hall in her Faroe Isles pullie and attitudinal denim, stare at people very hard and seem ever so gradually to lose the plot. Not that there’s much plot to lose in Blackout.

Read more...

The South Bank Show: Nicola Benedetti, Sky Arts 1/ The Good Guys, Sky 1

Adam Sweeting

There are worse assignments than making a film about Nicola Benedetti, and the glamorous 25-year-old violinist had clearly entranced Lord Bragg. Mind you, you'd struggle to find much to dislike about her. She's funny and articulate and has a billion-watt smile, while being an utterly dedicated musician whose playing mixes technical command with potent emotional expressivess.

Read more...

The Hollow Crown: Richard II, BBC Two

Matt Wolf

There was some pretty serious hair on view in the BBC's new film of Richard II, a play better-known for its luxuriant verse, and well there might be, given that the adaptation came to us courtesy that most fulsomely-maned of theatre directors, Rupert Goold.

Read more...

Line of Duty, BBC Two

Adam Sweeting

Those quaint old TV shows in which we were invited to support and admire the police unreservedly have long been overtaken by real-life events. Now evolution has brought us to Line of Duty, a series that presents the police as a failing bureaucracy hamstrung by paperwork and political correctness.

Read more...

Veep, Sky Atlantic

graeme Thomson

Post-Dubya, post-Palin, (very) post-Yes We Can, the US sitcom appears finally to have arrived at the same point its more cynically inclined British equivalent reached decades ago. In a political age defined by dishonour and doublespeak, it seems the most effective means of responding to all that mendacious incompetence is to dropkick depressing reality into the realm of the absurd.

Read more...

Julius Caesar, BBC Four/Match of the Day Live, BBC One

Jasper Rees

“Let slip the dogs of war.” Somewhere in the bowels of Kiev’s Olympic Stadium, a football coach will have said something along these lines around the half seven mark. Meanwhile, over on the clever-clever channel, an alternative meeting between England and Italy took place.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...