Wagner
Brewer, BBCSO, Bělohlávek, Barbican HallSunday, 12 December 2010![]() Exactly an hour and a half after Wagner's first orchestral brew of sex and religion had raised the curtain on the Royal Opera Tannhäuser, the pilgrims and floozies were at it again over the other side of town. If there was hardly the whiff of... Read more... |
BBC Symphony Orchestra 80th Birthday Concert, BarbicanSaturday, 23 October 2010![]() Eighty years ago yesterday, the 41-year-old Adrian Boult launched the distinguished history of what was then a 114-strong BBC Symphony Orchestra with Wagner's Flying Dutchman Overture in Portland Place. Three months later ice-and-fire Ernest... Read more... |
Connolly, BBC Symphony Orchestra, Bělohlávek, BarbicanSaturday, 02 October 2010![]() As experienced Wagnerian Jiří Bělohlávek came on to launch the BBCSO's new season in mid-air with the Tristan Prelude, I wondered whether the world's finest interpreter of Isolde's serving maid Brangäne, lustrous mezzo Sarah Connolly, was waiting to... Read more... |
Mullova, London Symphony Orchestra, Nelsons, Barbican HallFriday, 01 October 2010![]() This season's LSO artist-in-focus, violinist Viktoria Mullova, is an incorrigible off-roader. The rougher the terrain the better. Early, modern, rock, folk: she'll absorb their shocks, vault their bumps, relish their pitfalls and come out without so... Read more... |
Sellars and Viola's Tristan und Isolde, Royal Festival HallSunday, 26 September 2010![]() People always overlook how much of a hippie Richard Wagner was intellectually. His philosophical stance differs little from that of Neil from The Young Ones. It's a side of Wagner you can't get away from in Tristan und Isolde, with its endless... Read more... |
Fidelio, Welsh National Opera, CardiffSaturday, 18 September 2010![]() In fact Giuseppe Frigeni’s production and sets have already been seen in Bordeaux, so perhaps it’s more that the novelty by now has worn off. Either way, it’s a miserable affair, devoid of movement or dramatic tension, obscure in its... Read more... |
Mattila, Berlin Philharmonic Orchestra, Rattle, Royal Albert HallSunday, 05 September 2010![]() My abiding memory of the Berlin Philharmonic’s second Prom under Sir Simon Rattle on Saturday will be of 6,000 people listening with rapt, or at any rate silent, concentration to Schoenberg, Webern and Berg. Has it ever happened before? Perhaps... Read more... |
Keenlyside, Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert HallSunday, 22 August 2010![]() Boy, did I want to enjoy this Prom. On paper it should have been the highlight of the season. Young Canadian conductor Yannick Nézet-Séguin has been making his mark in London as principal guest conductor of the London Philharmonic Orchestra with... Read more... |
Orchestra of the Age of Enlightenment, Rattle, Royal Albert HallMonday, 02 August 2010![]() In 1860 Wagner sent a full score of his recently published Tristan und Isolde to Berlioz, inscribing it: “To the great and dear composer of Roméo et Juliette, from the grateful composer of Tristan und Isolde.” The bonds between these two works go... Read more... |
Die Meistersinger at the Proms, BBC FourSunday, 18 July 2010![]() Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's... Read more... |
A feast fit for the Mastersingers: Wales objectsMonday, 28 June 2010![]() Bit of a tizzy in Cardiff after Welsh National Opera decided to push the boat out for its biggest show in years. Richard Jones's new production of Wagner's Die Meistersinger von Nurnberg starring Bryn Terfel in his toughest challenge to date wowed... Read more... |
Rigoletto, Welsh National Opera, CardiffSaturday, 26 June 2010![]() Watching and hearing this revival of WNO’s now eight-year-old production of Verdi’s Rigoletto, it’s hard to remember he composed it only a year or two before La Traviata, that most psychologically believable of all his operas. In Rigoletto nothing... Read more... |
