Wagner
Apocalypse NowFriday, 27 May 2011
More phantasmagorically beautiful than it ever had any right to be given its subject, Francis Ford Coppola’s Apocalypse Now begins as a nightmare, or a delirium, with thup-thup-thupping helicopters ghosting in and out of the frame in front of the... Read more... |
Rambert, Cardoon Club/ Roses/ Monolith, Sadler’s WellsTuesday, 24 May 2011
Paul Taylor's Roses is called Roses because, well, because it is. There are no roses here, no flowery sentiment, no overwrought angst and emotion. This, one of Taylor’s most beautifully serene works, is the smell of roses on a still May evening:... Read more... |
European Festivals 2011 Round-UpMonday, 23 May 2011
Be different - take a festival break in Europe instead of the UK, and catch a different landscape. While artists in both new music and classical are constantly circling the world in search of more picturesque settings, you can find your alternative... Read more... |
Die Meistersinger von Nürnberg, Glyndebourne Festival OperaSunday, 22 May 2011
So the world didn't end yesterday as predicted, and Wagner's divine comedy about the meaning of art has weathered the ironic apocalypse following Hitler’s misappropriation. Bayreuth reels, but we Brits are lucky to have two stagings in under a year... Read more... |
Brewer, LPO, Jurowski, Royal Festival HallWednesday, 04 May 2011
In a London Philharmonic season playing safer than before, principal conductor Vladimir Jurowski has earned the right to a few meat-and-two-veg programmes. Even in a concert containing more than a handful of your hundred best tunes, Wagnerian... Read more... |
Welsh National Opera Orchestra, Koenigs, St David's Hall, CardiffSaturday, 30 April 2011
Popping up on royal wedding day from the Niebelheim where they spend most of their working life, the WNO Orchestra brought with them a birth-and-death programme: hatch and dispatch, rather than match. Wagner’s Siegfried Idyll was a thank-you present... Read more... |
Opera-house pecking order: Luisi goes for Met goldTuesday, 22 March 2011
So it's official: the Metropolitan Opera is more "important" than Covent Garden - at least to the rather image-conscious Fabio Luisi, currently rated as one of the possible successors to New York's now-ailing supremo of the last 40 years, James... Read more... |
Players of the Royal Opera House Orchestra, Pappano, Cadogan HallSunday, 27 February 2011
What a versatile master is the Royal Opera’s resident dynamo Antonio Pappano. On Saturday night, he was in the Covent Garden pit getting big-band sounds and tender elegies from the whole orchestra in Turnage’s Anna Nicole. And here he was again,... Read more... |
Parsifal, English National OperaThursday, 17 February 2011
Some of you will know that Wagner and I haven't been seeing eye to eye of late. Last year's Tannhäuser I believed was the end of the road for the two of us. Not quite. With one of the most celebrated Wagner productions of the past two decades... Read more... |
Dame Margaret Price, 1941-2011Saturday, 29 January 2011
Perhaps her greatest achievement on disc is a role she would never have attempted in the theatre, Wagner's Isolde. Supported by the great Carlos Kleiber, the sheer meaning and luminous tone colours Price brings to every line make this one of the... Read more... |
Bah Humbug: Richard Wagner - banish him from the stageWednesday, 22 December 2010
Now that The X Factor's finally over, can we please get back to heaping opprobrium on the only Wagner that really deserves it? In the coming year opera houses around the world will be deciding whether to temporarily bankrupt themselves in 2013 to... Read more... |
Tannhäuser, Royal OperaSunday, 12 December 2010
The double standards in opera are amazing. If heldentenor Johan Botha - a man the size of a small Eastern European country - had been a woman, he would have been refused re-entry to the stage till he'd had a gastric band fitted. But his size... Read more... |
