tue 10/06/2025

Wagner

Die Meistersinger von Nürnberg, Welsh National Opera, Cardiff

Only those who think the burnt-out question of Wagner and the Nazis can still be brought to bear on his operas could be disappointed by Richard Jones's life-enhancing new production. Not a swastika in sight, not a hint of anti-semitic caricature for...

Read more...

Classical Music CDs Round-Up 9

Zoltan Kodály devised the hand signals which accompany the UFO's five-note signature  in Close Encounters of the Third Kind

This month’s selection includes a flamboyant fin-de-siècle Italian symphony that could give you a nosebleed. A little-known American band provide a fresh take on a British 1930s warhorse, and classy Viennese musicians play some delectable...

Read more...

European Festivals 2010 Round-Up

Istanbul, Turkey, 3-30 JuneThe 38th annual music festival in the jewelled city of culture-clash continues its strong classical showing with Radu Lupu and Lang Lang, the Borodin Quartet and Riccardo Muti conducting the Vienna Philharmonic. Equally...

Read more...

Stephen Fry on Wagner, BBC Four

Is there anywhere Stephen Fry will not go? I mean in documentaries. We’ve had Fry on depression and Fry on America, Fry on HIV and Fry on endangered species. Movingly, we’ve had Fry on who he thinks he is, an odyssey in which he discovered that much...

Read more...

Guillaume Tell, Chelsea Opera Group, QEH

Swiss artist Fuseli's depiction of the oath on the Rütli, grand finale to Rossini's Act Two

Was Rossini, credited with the unsinkable comment that Wagner had "beautiful moments but bad quarters of an hour", hoist by his own petard in his last and grandest opera? For while Wagner, at least in performances as well-paced as the one I heard of...

Read more...

Classical Music CDs Round-Up 8

Rhapsody in black and white: the Paul Whiteman Orchestra

This month the selection varies from sackbutts to serialism, by way of condensed Wagner, Elgar conducted by the much-missed Vernon Handley and music from both Shostakovich and a disciple of his. Among contemporary music there is Osvaldo Golijov’s...

Read more...

Opera down the phone

The remarkable world of the Théâtrophone

It's amazing to think that Marcel Proust first heard Wagner's four-and-a-half-hour opera Die Meistersinger down his telephone. That same day, in 1911, he also ingested three hours of Debussy's Pélleas et Mélisande. We learn all this from Edward...

Read more...

Glyndebourne announces 2011 operas

Rusalka and her sisters: Melly Still's bewitching production returns to Glyndebourne next summer

It used to be a treat saved up for the end of the season, when a Christie of Glyndebourne would step before the curtain and announce the next year's operas. Now, like everyone else, Glyndebourne is jumping in quick with its plans, partly, I guess,...

Read more...

The Berlin Philharmonic European Concert 2010, Sheldonian Theatre, Oxford

Berlin comes to Oxford: May Day at the Sheldonian with Barenboim and the Berliners

"Madness! Madness! Everywhere madness!" The unsung words of cobbler-philosopher Hans Sachs in the third-act prelude to Wagner's Die Meistersinger might seem like an odd opening manifesto for the Berlin Philharmonic Orchestra's annual May Day...

Read more...

theartsdesk Q&A: Conductor Semyon Bychkov

Yesterday afternoon, Semyon Bychkov's recording of Lohengrin won BBC Music Magazine's prestigious disc of the year. Last year, The Sunday Telegraph named his recording of Eugene Onegin one of the top 10 opera recordings of all time. Proof - if proof...

Read more...

The Seckerson Tapes: Opera Holland Park

Opera Holland Park's dynamic duo: Artistic Director James Clutton and General Manager Michael Volpe

The auditorium has risen once more, the box office is open and busy, and the peacocks are out – Opera Holland Park in London is gearing up for the new season. In this “live and uncut” podcast Edward Seckerson talks to James Clutton (above, left) and...

Read more...

theartsdesk Q&A: Opera Directors Patrice Caurier and Moshe Leiser

It is rare enough for directors to collaborate in theatre, even rarer in opera. Patrice Caurier (b. Paris, 1954) and Moshe Leiser (b. Antwerp, 1956) began their long collaboration in their 20s. They are now in their 50s, and since that first...

Read more...
Subscribe to Wagner