Sadler's Wells
Grupo Corpo, Sadler's WellsThursday, 02 October 2014
Grupo Corpo means Body Group, and if that sounds like the name of a global exercise consortium, it’s because it should be. If I were an entrepreneur media mogul type, I would have shot out of my seat at Sadler’s Wells last night and straight round... Read more... |
KnowBody, Sadler's WellsSaturday, 13 September 2014
Who qualifies as an older dancer? Given that a professional dance career usually runs from about 17 to 35, anyone continuing to dance past 40 can expect comments on their age and speculation about when they'll stop – see Sylvie Guillem, Wendy... Read more... |
Sehnsucht/Schmetterling, Nederlands Dans Theater 1, Sadler's WellsTuesday, 01 July 2014
No one could accuse Nederlands Danse Theater choreographers Sol Leon and Paul Lightfoot for thinking inside of the box. And yet that's exactly where they've placed their dancers in the opening piece, Sehnsucht, of this impressive Sadler's Wells... Read more... |
Swan Lake, Dada Masilo, Sadler's WellsThursday, 19 June 2014
There are all sorts of companies and shows out there that claim to “rock” the ballet, or otherwise shake up, take down or reinvent an art form that, they imply, is (breathe it softly, the dirty word) elitist, or at least irrelevant. Few, I’d imagine... Read more... |
Rooster/Four Elements/Sounddance, Rambert, Sadler's WellsWednesday, 21 May 2014
Sure as carbon dioxide and the greenhouse effect, the 2010s are following a standard 20-year nostalgia cycle by embracing the 1990s as their "retro twin" decade. The quiet rumblings of the last few years – student Nineties parties and the... Read more... |
Romeo and Juliet, Scottish BalletThursday, 15 May 2014
Watching The Royal Ballet’s The Winter’s Tale a few weeks ago, I was struck by the quasi-absurdity of adapting the Bard for dance - a thought numerous choreographers must have encountered while toying with the idea. The complexity of Shakespeare’s... Read more... |
theartsdesk Q&A: Lighting Designer Michael HullsMonday, 14 April 2014
Last night the Olivier Awards handed their top honour for dance not to a dancer but to the man who shines the lights on the dancers. Michael Hulls, winner of the Outstanding Achievement in Dance award, paints the dancing of Sylvie Guillem, Akram... Read more... |
The Rite of Spring & Petrushka, Fabulous Beast Dance Theatre, Sadler's WellsSaturday, 12 April 2014
Stravinsky’s Rite of Spring captures the pulsing terror of seasonal change, the relentless onward drive of nature that brings death closer even as life burns at its most ferocious. The 1913 première of the ballet created by Vaslav Nijinsky... Read more... |
tauberbach, les ballets C de la B, Sadler's WellsThursday, 10 April 2014
Belgian Alain Platel makes the kind of dance theatre (like Pina Bausch, to whom he has an oft-remarked debt) for which both “dance” and “theatre” are very loose and inadequate umbrella terms. “Sets” are often jaw-dropping colonisations of stage... Read more... |
theartsdesk Q&A: Choreographer Hofesh ShechterSaturday, 15 March 2014
Israeli-born choreographer Hofesh Shechter has had a meteoric rise. Ten years ago, he was a dancer in somebody else’s company who had just taken a couple of steps into choreography. Now he has his own full-time company, can pack out Sadler’s Wells... Read more... |
Trasmín/Gala Flamenca, Sadler's WellsWednesday, 12 March 2014
In Trasmín, the curtain rises on two bodies leaning apart, yet reaching back to face one other, each columnar figure a twisted into a perfect spiral line from knees to the tips of curved fingers. Their feet are concealed by the great fabric swathes... Read more... |
La Pepa, Ballet Flamenco Sara Baras, Sadler's WellsSunday, 02 March 2014
“Goya!” I scribbled enthusiastically in the first moments of La Pepa. “Dos de Mayo! Art as witness to history!” Despite the clichéd use of flickering strobes and a stock “chaotic” soundtrack of shouts and crashes, this opening scene purporting to... Read more... |
