tue 08/07/2025

Sadler's Wells

One Flute Note/Body Not Fit for Purpose, Lilian Baylis Studio, Sadler's Wells

One of the dance world's better-kept secrets is the existence of a brilliantly inventive comic double-act consisting of two paunchy, balding 50-something men. Neither humour nor the over-50s are seen all that often in dance, but it isn't tokenism...

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Richard Alston Dance Company 20th Anniversary Performances, Sadler's Wells

Testament to the work of Richard Alston Dance Company (RADC) over the 20 years since its foundation was not just the première-filled celebratory programme performed at Sadler's Wells last night, but the enthusiastic audience there to see it. Alston'...

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Best of 2014: Dance & Ballet

You usually know a good piece or performance when you see one, but sometimes you only identify a great one as such significantly after the fact. What better way to test a work's durability, then, than by seeing what remains of it in the memory after...

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Edward Scissorhands, New Adventures, Sadler's Wells

For those who’ve seen one too many Nutcrackers, nothing says Christmas better than a Matthew Bourne production at Sadler’s Wells. A man whose mantelpiece is overflowing with Tony and Olivier awards is a safe bet for entertainrment – even when...

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Sacred Monsters, Khan/Guillem, Sadler's Wells

There is a special poignancy to these performances of Sacred Monsters, Sylvie Guillem and Akram Khan's terrific 2006 joint show. Guillem, the former Paris Opéra étoile and Royal Ballet prima ballerina whose singular talent has lit up contemporary...

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Triptych, Rambert, Sadler's Wells

How long should a dance programme be? Opera and theatre habitués can be surprised by outings to contemporary dance, where the pieces might be shorter than the intervals, and a 7:30 start could see you comfortably on the 9:15 train home. But the...

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TOROBAKA, Israel Galván & Akram Khan, Sadler's Wells

When you're talking about dancers, the old adage about genius being 99% perspiration has a point. You have to work damned hard just to be average in professional dance; to be good, like Akram Khan and Israel Galván are good, takes sweat (and tears...

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Thomas Adès, See the Music, Hear the Dance, Sadler's Wells

The challenge was already in the title for me: as both a dance critic and a strongly visual person, in the normal order of things I see the dance first and hear the music second. Last night's show, the second of the Sadler's Wells Composer Series of...

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theartsdesk Q&A: Choreographer Akram Khan

Akram Khan is unexpectedly softly-spoken. Acknowledged as a truly great dancer, he's a master of the classical Indian Kathak form that he trained in, and also supremely gifted at blending it with other movement vocabularies to create a personal...

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theartsdesk Q&A: Choreographer Wayne McGregor

How do you know Wayne McGregor? Dance-goers with long memories might remember Wayne McGregor as the wunderkind who founded his own company and became resident choreographer at The Place aged just 22. Lovers of contemporary dance will be familiar...

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Shadows of War, Birmingham Royal Ballet, Sadler's Wells

Another week, another war commemorative; it’s the story of all the arts in 2014. But – because you can always rely on David Bintley and Birmingham Royal Ballet to be different – last night’s programme at Sadler’s was overshadowed by the Second World...

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Lord of the Flies, Matthew Bourne's New Adventures, Sadler's Wells

New Adventures, the name of Matthew Bourne's company, has a ruddy-cheeked, Boys’ Own ring to it that has – until now – been rather belied by his oeuvre, which includes a dance version of Edward Scissorhands, as well as dark retellings of all the...

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