tue 08/07/2025

Sadler's Wells

Nine Songs, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells

In 2008, a disastrous fire gutted Cloud Gate’s rehearsal studio in Taipei destroying props, costumes and the company archive. Amazingly though, the masks worn by the deities in Nine Songs survived the blaze and Lin Hwai-min, founder of the award-...

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1980, Tanztheater Wuppertal, Sadler's Wells

Review convention is to put this at the end, but I can’t risk you stopping reading before I can say: go and see 1980 while it is at Sadler's Wells this week. It is one of the most extraordinary works you will ever watch.If ballet is about...

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Boris Charmatz/Musée de la danse: Enfant, Sadler’s Wells

At first the machines are in control. A crane drags the inert body of a woman across the floor, lifts her up and leaves her dangling from the waist. A man follows, dragged by one foot and suspended upside down. The two bodies rise and fall or swing...

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Boing!, Lilian Baylis Studio Theatre

Boing! shows that for a successful dance theatre production for children, you don't need very much. In fact, all that's required is a simple bed frame centre stage and a particularly bouncy mattress.Travelling Light and Bristol Old Vic teamed up...

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Matthew Bourne's Swan Lake, Sadler's Wells

In 1995 a new avian species with unfamiliar markings, the Bourne swan, drew unexpectedly large crowds to a run-down old Islington theatre. I remember it well: seats in the gods were being worn so tight then that feet attached to long legs couldn't...

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The Taming of the Shrew, Stuttgart Ballet, Sadler's Wells

“Comedy in ballet can be notoriously difficult to get right.” So warns the programme note for The Taming of the Shrew, choreographer John Cranko’s 1969 adaptation of Shakespeare, with which Stuttgart Ballet chose to end their run at Sadler’s Wells...

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Made in Germany, Stuttgart Ballet, Sadler's Wells Theatre

Stuttgart Ballet, one of Europe's most highly respected companies, is clearly determined to show London its best sides – all of them. Thirteen pieces in one performance is less a mixed bill than a tasting menu, and one that aims to impress: this...

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Milonga, Sidi Larbi Cherkaoui, Sadler's Wells

Can tango ever really be interesting as a pure dance stage show? After all, like most forms of social dance, its truest incarnation is in the fleeting and contingent encounters of the dance hall, the public ball, the open-to-all-comers late night...

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Sadler's Wells, 2014 Highlights announced

Crystal Pite returns to Sadler's Wells as their 16th Associate Artist, with a UK premiere of her The Tempest Replica, in April.29-30 January: Borish Charmatz's enfant.7-16 February: Tanztheater Wuppertal Pina Bausch returns with 1980: A Piece by...

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Sadler’s Wells, Ambitious New Plans

Alastair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, today announced that the theatre is looking for a fourth London venue, which it hopes will open in just four years’ time.Not content with two proscenium spaces (the main stage...

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Hofesh Shechter, Sun, Sadler’s Wells

The first time you see a Shechter piece, you feel it, literally as well as figuratively: percussive is a mild word for his forceful choreography, the stamping, churning, yearning of his sweeping shapes and rhythms. Percussive is the music, too (...

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In A Deep Dark Wood, Gobbledegook and Moko Dance, Lilian Baylis Studio Theatre

Most children's theatre productions are usually either heavily branded (think Peppa Pig's roadshow) or - particularly with dance - saccharine to the point of patronising (think My First Cinderella). It is refreshing then, to see a kid's company that...

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