Theatre Reviews
Farinelli and the King, Duke of York's TheatreWednesday, 30 September 2015
No doubt this sophisticated bagatelle starring Mark Rylance worked like a charm in the intimate space and woody resonance of the Sam Wanamaker Playhouse. Read more... |
Tipping the Velvet, Lyric HammersmithTuesday, 29 September 2015
Theatre is in the very bones of this bold adaptation, with the Lyric gifted a cameo role: past productions are fleetingly pastiched in a flashback to the era of the venue’s foundation. Laura Wade and Lyndsey Turner translate the vividly immediate first-person narrative of Sarah Waters’ 1998 novel into a world coloured by the experience of their heroine, whose coming-of-age story is sparked by the stage: make-believe illuminating the truth of her sexual identity. Read more... |
The Sweethearts, Finborough TheatreMonday, 28 September 2015
Entertaining our troops overseas has already proved a fruitful subject for drama, and not only for its show-within-a-show potential. Peter Nichols’ Privates on Parade – revived in the West End three years ago – combined latrine-level banter and tawdry cabaret to create pathos and comedy. Now, updating the military status quo, comes The Sweethearts, a new play by Sarah Page marking the first anniversary of the withdrawal of British troops from Afghanistan. Read more... |
Iliad: War Music, National Theatre WalesSaturday, 26 September 2015
Iliad is the third collaboration between National Theatre Wales and “the two Mikes”, directorial duo Pearson and Brookes. The pair have been responsible for two previous highlights of the still young company’s back catalogue, The Persians (2010) and Coriolan/us (2012). Read more... |
Nell Gwynn, Shakespeare's GlobeFriday, 25 September 2015
“Comedy, love and a bit with a dog,” counselled Henslowe in Stoppard’s Shakespeare in Love, and his populist advice is taken to heart in this broad, bawdy, big-hearted farce untroubled by nuanced characterisation or context. Jessica Swale’s modern-language Restoration romp ensures a lively end to the Globe’s season, but playing to the galleries does a disservice to her trailblazing heroine. Read more... |
Living Quarters, Tobacco Factory Theatres, BristolFriday, 25 September 2015
Brian Friel’s Living Quarters ranks with his best plays but isn’t well known. This powerful story of family dysfunction was first performed in the UK in 1991, directed by Andrew Hilton for Bristol’s legendary pub theatre company Show of Strength and was then not seen on the English stage until now – once again with the Bristol director at the helm. Read more... |
Waiting for Godot, Royal Lyceum Theatre, EdinburghThursday, 24 September 2015
It’s been a turbulent few months for Edinburgh’s Lyceum Theatre, with a substantial cut in funding from Creative Scotland last October, followed by the (unrelated) announcement that Mark Thomson, artistic director since 2003, would step down at the end of the current season. Read more... |
Dinner with Saddam, Menier Chocolate FactoryWednesday, 23 September 2015
Writer Anthony Horowitz is a busy man. Having written more than 40 books, he has also worked in many media. One year, he’s penning another series of the ever-popular Foyle’s War; the next he’s reviving the world of Sherlock Holmes in novels such as Moriarty; then it’s onto James Bond with Trigger Mortis. Read more... |
Martyr, Unicorn TheatreWednesday, 23 September 2015
Following a dangerously selective reading of a religious text, 15-year-old Benjamin has adopted a fundamentalist doctrine that espouses misogynist, homophobic and puritanical views and, at its extreme, violence. Neither his mum nor his teachers know how to handle him. The clever twist in Marius von Mayenburg’s 2012 play: that text isn’t the Qu’ran, but the Bible. Read more... |
Mr Foote’s Other Leg, Hampstead TheatreTuesday, 22 September 2015
The actor and historian Ian Kelly is fascinated by the way that performers use the theatre to understand not only themselves, but also the world. In this new play, he looks at the life and career of Samuel Foote, one of the larger-than-life figures in the age of Garrick who has, alas, been forgotten by time. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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