Theatre Reviews
The Human Voice, Gate Theatre review - unrelenting and sadWednesday, 19 September 2018
It’s night, and the woman (Leanne Best) is waiting for a phone call. She’s desperate for the voice of her lover – or rather ex-lover: they split three nights ago. Both have secrets they will disclose over the course of their final conversation. Both have positions to defend. The scene is set for a coupling of melodrama and banality. Read more... |
The Prisoner, National Theatre review - Peter Brook's latest falls sadly flatTuesday, 18 September 2018
Of the Edinburgh International Festival’s three productions by 2018’s resident company, Paris’s Théâtre des Bouffes du Nord, The Prisoner is the most gnomic, the most baffling, and, frankly, the most disappointing. Read more... |
An Adventure, Bush Theatre review - epic but flawedSaturday, 15 September 2018
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outstanding Off-West End venues, is leaving in December, on his way to becoming the creative director of the Southbank Centre. Read more... |
Foxfinder, Ambassadors Theatre review - too ponderous by halfFriday, 14 September 2018
A sizeable Off West End success nearly eight years ago looks more than a little exposed in a new, scaled-up production that is one of several shows on now, or imminently, to feature a Game of Thrones actor in a leading role. Read more... |
The Woods, Royal Court review - Lesley Sharp triumphs againThursday, 13 September 2018
Blackout. Dark, the colour of childhood fear. Black, the colour of despair. Black. No light visible; no colours to see. Just pitch black, maybe even bible black. This is how Robert Alan Evans’s The Woods, which stars the brilliant Lesley Sharp and which opened tonight in the Royal Court’s theatre upstairs, begins – in total darkness. Read more... |
Holy Shit, Kiln Theatre review - what's in a name?Tuesday, 11 September 2018
Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn has been refurbished and relaunched, with a name change and £5.5 million-worth of improvements. It’s now a much more welcoming place, full of light at the front and with an on-street café, as well as easy access to the new plush seats and excellent sightlines. Read more... |
Unexpected Joy, Southwark Playhouse review - fully predictable funMonday, 10 September 2018
There's a clear theme running through this year's autumn programme at the Southwark Playhouse: new musicals with strong feminist roots. Wasted, centred on the Bronte siblings, is landing later this month, but first there's Read more... |
Underground Railroad Game, Soho Theatre review - scratching the American woundMonday, 10 September 2018
Underground Railroad Game is scabrous theatre – in every sense. Read more... |
Square Rounds, Finborough Theatre review - the science behind warfare, told in verseSaturday, 08 September 2018
The title of Tony Harrison's teacherly entertainment – it can't be called a play – refers to the square bullets invented by James Puckle to kill Muslims in the 18th century. This shocking morsel of information is provided by the brothers Hiram and Hudson Maxim, inventors respectively of the machine gun and smokeless gunpowder, who are two of the characters in Square Rounds. Read more... |
The Humans, Hampstead Theatre review - a riveting family portraitFriday, 07 September 2018
Transatlantic theatrical traffic is busier than ever, and now here at the Hampstead is not just Stephen Karam’s Tony-winning play, first seen in 2015, but director Joe Mantello and his full Broadway cast. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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