Theatre Reviews
The Lady from the Sea, Print Room at the Coronet review - freedom to choose?Monday, 18 February 2019
Ellida (Pia Tjelta) has a choice to make, the outcome of which will bind her future to her past or her present, each represented by a man. On the one hand, there is the tempestuous seafaring Stranger (Øystein Røger) to whom, long ago and in a fit of delirium, she pledged herself; on the other, there is her devoted and rational doctor husband Wangel (Adrian Rawlins). Read more... |
Berberian Sound Studio, Donmar Warehouse review – improves the originalFriday, 15 February 2019
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below) sports wavy shoulder length blond hair and an exuberant pearl rosary, the minimo Massimo (Hemi Yeroham) has dark hair, a beard and glasses, and intense stare. Read more... |
The American Clock, Old Vic review - Arthur Miller's musical history lesson dragsThursday, 14 February 2019
This year’s unofficial Arthur Miller season – following The Price and ahead of All My Sons at the Old Vic and Death of a Salesman at the Young Vic – now turns to his 1980 work, The American Clock, inspired in part by Miller’s own memories of the 1929 Wall Street Crash and subsequent Great Depression. Read more... |
All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting oneThursday, 14 February 2019
Women spend a lot of time gazing at themselves in the mirror in the Belgian auteur director Ivo van Hove's latest stage-to-screen deconstruction, All About Eve, which is based on one of the most-beloved of all films about the theatre: the 1950 Oscar-winner of the same name. Read more... |
The Price, Wyndham's Theatre review - David Suchet stands supremeTuesday, 12 February 2019
There’s a rather sublime equilibrium to Arthur Miller’s 1968 play between the overwhelmingly heavy weight of history and a sheer life force that somehow functions, against all odds, as its counterbalance. Read more... |
The Good Person of Szechwan, Pushkin Drama Theatre, Barbican review - slick Russian BrechtMonday, 11 February 2019
"In our country the capable man needs luck," belts out Shen Te, the Good Person of Szechwan in the most powerful song of Brecht's epic "parable play" of 1941. Read more... |
Blue, Chapter Arts Centre review - heartbreak in the family homeFriday, 08 February 2019
What's worse than grieving? That all-consuming loss. For those that have experienced it, nothing really comes close. It starts to bug Thomas (Jordan Bernarde, main picture second right) during his visit to the Williams household. Recently bereaved himself, he senses the fragility in the air but no-one seems to give a straight answer. Read more... |
Pinter Seven, Harold Pinter Theatre review - elaborations of anxietyThursday, 07 February 2019
It was back to the very beginning for this final instalment of “Pinter at the Pinter”, with its pairing of A Slight Ache and The Dumb Waiter. Read more... |
Home, I'm Darling, Duke of York's Theatre review - Katherine Parkinson rules the roostThursday, 07 February 2019
The Fifties? They were terrible: bone-cold houses where people huddled round the fireplace for heat, empty Sundays that lasted a month, drawn-out rationing, bread you could build houses with. Read more... |
The Cherry Orchard, Pushkin Drama Theatre, Barbican review - stunning absurdist ChekhovWednesday, 06 February 2019
There is no doubt that this Cherry Orchard, whirled into town by Roman Abramovich from Moscow, is going to be divisive. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
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