fri 12/09/2025

Theatre Reviews

Man of La Mancha, London Coliseum review - historical work better left in the past

Marianka Swain

English National Opera continues its run of semi-staged musicals, in commercial collaboration with Grade Linnit, with a revival of this vintage oddity.

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The Half God of Rainfall, Kiln Theatre review - titanic war of the gods

aleks Sierz

If British theatre often seems to lack ambition, the same cannot be said of The Half God of Rainfall, a galaxy-hopping mythological mash-up. Written by Inua Ellams, whose Barber Shop Chronicles was a big foot-stomping hit for the National in 2017, this epic story trips across the globe and the sphere of myth, combining Yoruba gods with ancient Greek deities.

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Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

Marianka Swain

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible Fats Waller-inspired, Manhattan-set musical revue (a co-production with Colchester’s Mercury Theatre, where it opened last month).

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All My Sons, Old Vic review - starry but disappointingly uneven

aleks Sierz

Superstar Sally Field has come to town.

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SS Mendi: Dancing the Death Drill, Isango Ensemble, Linbury Theatre - evocative and essential lyric theatre

David Nice

While Bach's and Handel's Passions have been driving thousands to contemplate suffering, mortality and grace, this elegy for black lives lost over a century ago also chimes movingly with pre-Easter offerings.

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Sweet Charity, Donmar Warehouse review - Sixties style over substance

Marianka Swain

For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical.

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Three Sisters, Almeida Theatre review - middle of the road with flashes of magic

aleks Sierz

About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival of Tennessee Williams's Summer and Smoke, rescuing the play from obscurity and showcasing the star qualities of actor Patsy Ferran.

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A German Life, Bridge Theatre review - Maggie Smith triumphs again

aleks Sierz

Maggie Smith is not only a national treasure, but every casting director's go-to old bat. Now 84 years young, she is our favourite grande dame, or fantasy grandma.

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Pah-La, Royal Court review - complex ideas, wild storytelling

aleks Sierz

Theatre can give a voice to the voiceless – but at what cost?

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After Edward, Sam Wanamaker Playhouse review - delightfully risky

Rachel Halliburton

A loo with fuschia-pink carpet to catch splashback; an Archbishop of Canterbury who’s in it for the skirts; a gobbing Dorothy from The Wizard of Oz.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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