Theatre Reviews
Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatreThursday, 03 October 2019
Reviewing Ian McKellen's show is, in one sense, like appraising the Taj Mahal or Mount Everest: he too is an awe-inspiring phenomenon. Read more... |
A Day in the Death of Joe Egg, Trafalgar Studios review - tragi-comic masterpieceWednesday, 02 October 2019
Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End revival of his most celebrated masterpiece. A Day in the Death of Joe Egg (1967) is based on his own family experience of bringing up his disabled daughter in the 1960s, and it has the reputation of being one of the most ground-breaking plays of its generation. Read more... |
'Master Harold' ... and the Boys, National Theatre review - timelessly movingWednesday, 02 October 2019
Time has been kind to Athol Fugard's "Master Harold"...and the Boys. It's a stealth bomb of a play that I saw in its world premiere production in New Haven, Connecticut, in 1982 and that has been a regular part of my playgoing life ever since. Read more... |
The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new playTuesday, 01 October 2019
What a joy Laura Wade's latest play is. Read more... |
Macbeth, Chichester Festival Theatre review - cosmic yet closely craftedTuesday, 01 October 2019
There’s a fine balance between the cosmic and the closely crafted in director Paul Miller’s Macbeth, his first production in the expansive space that is Chichester’s main stage. Read more... |
Glass. Kill. Bluebeard. Imp., Royal Court review - still experimental after all these yearsFriday, 27 September 2019
At the age of 81, Caryl Churchill, Britain's greatest living playwright, is still going strong. Her latest is a typically imaginative quartet of short plays. Each of them is vividly distinct, being linguistically agile, theatrically pleasurable and emotionally dark, yet all are also united by the common theme of folk tales and strongly archetypal stories. Read more... |
The Thunder Girls, The Lowry, Salford review - all-girl solidarityFriday, 27 September 2019
An all-girl rock group from the 1980s meet again, 30 years after an acrimonious break-up brought their shared stage career to an end … and the sparks fly as old resentments resurface and the bitterness of life’s blows emerges. Will their one-time all-girl solidarity overcome their pain and regrets? Will the show end with them back together, belting out their iconic anthem? Read more... |
Two Ladies, Bridge Theatre review - Cvitešić and Wanamaker really rockThursday, 26 September 2019
Are first ladies second-class citizens? Do they always have to stand behind their husbands? What are they really like as people? Questions such as these have inspired Irish playwright Nancy Harris to explore the relationship between two fictional first ladies, each of which bears an uncanny resemblance to a real-life figure. One is clearly based on Melania Trump, the other on Brigitte Trogneux, better known as Mrs Macron. Read more... |
Blood Wedding, Young Vic review - inventive, poetic if over-stretched revival of Lorca's rural tragedyThursday, 26 September 2019
Earthiness, lyricism, fatalism, the undeniable force of passion, of ecstatic attraction, known as "duende": these are the familiar ingredients of Lorca's plays set in rural Spain. Blood Wedding, written in 1932, was the first, followed by Yerma two years later and The House of Bernarda Alba in 1936, the year of Lorca's murder by Nationalists. Read more... |
Mother of Him, Park Theatre review – lean domestic drama unsure where it standsWednesday, 25 September 2019
Mother of Him was written a decade ago, but its most prescient moment happens in the first five minutes of Max Lindsay's production at the Park Theatre. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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