thu 11/09/2025

New Music Reviews

Nick Cave, Alone at Alexandra Palace review - mournful beauty from the king of misery

India Lewis

"Alone at Alexandra Palace" is a gift of this time, no compensation but some sort of balm to a world that is still so interior, with a long time to wait until any concerts can resume. The film begins with an emphasis on aloneness that is sustained throughout, Cave reading a fairytale-like story as the soundtrack to his walk through the black and gold of the empty Alexandra Palace.

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Album: Maria Schneider Orchestra – Data Lords

Sebastian Scotney

It is five years since Maria Schneider’s The Thompson Fields was released – and hailed as a masterpiece – so this new two-disc set has been eagerly awaited. It doesn’t disappoint. Data Lords is a major piece of work. This “story of two worlds” as the album’s strap-line has it, is two contrasting albums which inhabit very different emotional territory.

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Reissue CDs Weekly: Super Sonics - Martin Green Presents 40 Junkshop Britpop Greats

Kieron Tyler

The gentleman pictured above is Martin Green. In 1995 he was a prime mover behind The Sound Gallery, a double-album compiling groovy British easy listening and library music from around 25 years earlier which until then had been (mostly) overlooked. It was as trailblazing a compilation as Lenny Kaye’s 1972 garage-psych set Nuggets.

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Reissue CDs Weekly: Dennis Herrold

Kieron Tyler

It’s been a long strange trip for Dennis Herrold. The Virginia-born rocker’s sole single, December 1957’s “Hip Hip Baby” / “Make With the Lovin’”, was a full-bore rockabilly two-sider. Yet it made no waves despite being reviewed glowingly by music biz journal Billboard.

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theartsdesk on Vinyl 58: Joy Division, Alma, Prince, African Head Charge, Wargirl and much more

Thomas H Green

Lockdown’s easing and the record shops are opening here and there. So, to help vinyl junkies on their way, here’s 7000 words of reviews, capturing the best of the last couple of months’ releases on plastic. As ever, the sounds go everywhere, from hip hop to post-punk to Moroccan trance music. Dive in!

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Reissue CDs Weekly: Philip Rambow - The Rebel Kind

Kieron Tyler

“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty, Mike Scott, Bruce Springsteen and even The Boomtown Rats when they were aping the first and fourth of those, the song clangs along with a powerpop chug and sports a hook-filled melody. Great.

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Glastonbury Festival 2020: Beyoncé, Boo-Yaa T.R.I.B.E., marijuana and time travel

Caspar Gomez

Coronavirus blah blah blah. Glastonbury cancelled. What to do? Didn’t go to the 2010 festival for reasons too tedious to go into. Suffered the worst FOMO of my life. This is different. There is no Glastonbury. But sitting around at home… we’ve all been doing that for months…

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Romeo and Michele Stodart Present… The Thank-You Green Note Fundraiser, YouTube review - saving Camden's go-to music venue

Liz Thomson

It’s 15 years since two schoolfriends with a passion for acoustic music opened Green Note in London’s Camden Town, their goal to create “somewhere friendly, comfortable, intimate, and with the best music on offer every night of the week”. It quickly established itself as the go-to club for talented musicians at the outset of their careers – Amy Winehouse and Ed Sheeran played early gigs, and Diana Jones made her UK debut on the Green Note stage.

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Reissue CDs Weekly: Razorcuts - Storyteller, The World Keeps Turning

Kieron Tyler

Razorcuts formed after Tim Vass discovered Alan McGee’s Living Room club. In the booklet accompanying the reissue of his band’s first album Storyteller, Vass says of the weekly London promotion that “The headline act would often be someone like The Membranes or Alternative TV, but it was the unknown support acts that blew me away: The Jasmine Minks, The June Brides, The Loft.”

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Album: Nadine Shah – Kitchen Sink

Kathryn Reilly

Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When talking to friends who also considered themselves “non-achievers”, she realised something was very wrong.

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