New Music Reviews
Gilad Atzmon’s Orient House Ensemble, VortexMonday, 15 February 2010
The force of Israeli-born Gilad Atzmon’s world view – his anti-Zionism, but also what Robert Wyatt, a self-confessed “Gilad groupie”, calls the “intrinsically non-racialist philosophy that's implicit in jazz” – comes through loud and clear in his stage banter. Not many jazzers namecheck the Chilcot Inquiry or dedicate tunes to “the biggest arseholes on the planet”: ie a good handful of (named) British and Israeli politicians.
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Jeff Beck and Eric Clapton, O2 ArenaSunday, 14 February 2010
Along with the compact disc and record company profits, the Guitar Hero has become virtually extinct in the modern era. Thus, finding two gilt-edged specimens of this increasingly scarce breed sharing a stage is gold dust indeed. Both of them have been drenched in accolades, Jeff Beck having been inducted into the Rock and Roll Hall of Fame twice and Eric Clapton three times. Read more... |
Singles and Downloads 3Wednesday, 10 February 2010
Zinc ft Ms Dynamite, Wile Out (Zinc) |
Music Go Music, Hoxton Bar & KitchenWednesday, 10 February 2010
The Hoxton area of Shoreditch is a strange place for gigs by bands with general appeal. Specialist acts bring specialist crowds who know what they're going to get, but any like Music Go Music – whose records show a huge pop sensibility – will attract a fair few curious local scenesters, which sadly in Shoreditch means a load of drunk posh twits and Peaches Geldof clones falling over themselves to photograph one another every three seconds and show how fabulously bored they are with... Read more... |
Carolina Chocolate Drops, Bush HallFriday, 05 February 2010
What’s in a band’s name? Usually very little, other than perhaps a banally surreal juxtaposition of a couple of words that don’t normally hang out together (see: Cold – Play, Joy – Division, Sex – Pistols) or the borrowed kudos from some other art form such as a novel or film (there’s a new folk band called Belleville Rendezvous, God help us.) But this North Carolina trio’s name made me gasp with admiration. Read more... |
Jan Garbarek Group, Barbican HallMonday, 01 February 2010
The cliché which gets trotted out most often when describing Jan Garbarek's saxophone playing is his supposedly "icy" tone (Google “Garbarek” and “icy” and you'll see what I mean). As Garbarek's long-standing bassist Eberhard Weber amusingly points out in Horizons Touched: The Music of ECM, “I challenge the ladies and gentlemen of the press to think what they would write if Jan Garbarek wasn't Norwegian but Greek and his name was Garabekoulos! Read more... |
Oil City ConfidentialFriday, 29 January 2010
Dr. Feelgood was the first band I ever saw live, and I can still remember that frisson of expectation queuing up outside the Cambridge Corn Exchange in 1975. I didn’t even know who they were or what they sounded like, I simply had some pals who were soon-to-be-punks who’d got wind of the fact that these Canvey Island ne’er-do-wells were the harbingers of something new, something borrowed, and something blue. Read more... |
Delphic, Tabernacle, W11Wednesday, 27 January 2010
Early yesterday evening on that bastion of biting cultural analysis The One Show, Andy McCluskey of Orchestral Manoeuvres In The Dark was reflecting on how his band was inspired by German techno-wizards Kraftwerk. If OMD were the children of Florian Schneider und co, then Delphic, led by another singing bassist James Cook, must be the grandchildren. Read more... |
Snowboy's History of the UK Jazz Dance SceneTuesday, 26 January 2010
In another lifetime, I walked into the Electric Ballroom in Camden Town through a portal into a new world: the cavernous dancehall was packed, and the "audience" being choreographed by cross-rhythms of Afro-Cuban and Brazilian ancestry in an atmosphere created by a 17-year-old jazz funk DJ called Gilles Peterson. I was witnessing the dawn of the New Jazz Age. Read more... |
Nico Muhly & the Britten Sinfonia, The RoundhouseMonday, 25 January 2010
Nico Muhly didn't have to work much to puncture any atmosphere of classical recital formality at the Roundhouse: he only needed to be himself. Young, slightly dorky and very camp, wearing a black garment that blurred the boundaries between cardigan and bathrobe, and bantering lightly with the audience, the Vermont-born New York-based composer gave the impression that he couldn't take himself too seriously if he tried. Read more... |
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