sat 13/09/2025

New Music Reviews

Lykke Li, Village Underground

Kieron Tyler

A mournful voice sings “even though it hurts, even though it scars, love me when it storms, love me when I fall” over a strummed acoustic guitar which shares the lyrics dolefulness. As the centrepiece of her set last night, Lykke Li’s delivery of her new album I Never Learn’s “Love Me Like I'm Not Made of Stone” asked a lot from the audience at her first London show for three years. With the familiar came the new. With the upbeat came the sorrowful. And lots of it.

Read more...

Miley Cyrus, O2 Arena

Aimee Cliff

Sliding onto the stage of the O2 Arena in a leotard emblazoned with her own mouth and tongue, Miley Cyrus immediately starts bouncing around screaming, “I’m not going down without a fucking fight!”

Read more...

Robert Cray Band, Barbican

Matthew Wright

Robert Cray’s veteran blues band made a compelling case for their unique blend of soul and blues at the Barbican last night. Despite the five Grammys, record sales well into seven figures, and investiture in the Blues Hall of Fame in 2011 at the precocious age of 57, he’s sometimes suspected of watering down the blues tradition.

Read more...

Loose Tubes, Ronnie Scott's

peter Quinn

Crazed magnificence, off the cuff improv, pinpoint timing. And that was just MC and trombonist Ashley Slater's on-stage banter. In one of the most hotly anticipated jazz gigs of 2014, the return to the Ronnie Scott's stage for the seminal and utterly singular big band Loose Tubes – almost a quarter of a century after their valedictory residency in September 1990 – surpassed all expectations.

Read more...

Clean Bandit, Library, Birmingham

Guy Oddy

The Library in Birmingham is a venue that is almost the dictionary definition of shabby chic, with its neo-classical plaster mouldings hanging onto the walls in a room that has definitely seen better days. Unfortunately, the sound quality for last night’s show by Clean Bandit, the bright young things from Cambridge University who have caused quite a stir by mixing classical chamber music with garage pop, was similarly grubby.

Read more...

Reissue CDs Weekly: Wayne Cochran

Kieron Tyler

 

Wayne Cochran Goin’ Back to Miami The Soul Sides 1965-1970Wayne Cochran: Goin’ Back to Miami – The Soul Sides 1965-1970

Read more...

Ode to the Human Spirit, Kings Place

Matthew Wright

Who knew the human spirit needed such bureaucratic care? The celebration of International Jazz Day, founded by UNESCO in 2011, at King’s Place last night was nothing if not well cared-for.

Read more...

Reissue CDs Weekly: Grace Jones

Kieron Tyler


Grace Jones NightclubbingGrace Jones: Nightclubbing

Read more...

The Men They Couldn't Hang, Shepherd's Bush Empire

Jasper Rees

From the balcony overlooking the mosh pit you get a good idea of how long a band has been going. Last night at the Shepherd’s Bush Empire, The Men They Couldn’t Hang celebrated their 30th anniversary while a small kinetic cluster of mainly bald 50-year-olds pinged into one another like shiny billiard balls. A fiver says a sheepish accountant or two will have had some explaining to do this morning in A&E.

Read more...

Reissue CDs Weekly: John Tavener

Kieron Tyler

 

John Tavener: The Protecting VeilJohn Tavener: The Protecting Veil

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...

Album: Motion City Soundtrack - The Same Old Wasted Wonderfu...

Everyone’s favourite angsty pop-punk nerds are back, balancing new with nostalgia and synths with guitars, this is exactly what fans have been...

Cow | Deer, Royal Court review - paradox-rich account of non...

I love irony. Especially beautiful irony. So I’m very excited about the ironic gesture of staging a show with no words at the...

Album: Baxter Dury - Allbarone

Quite why Baxter Dury isn't already a national treasure is a mystery to me. Not for his nepo connections but...

Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...