sun 22/06/2025

New Music Reviews

Burt Bacharach, Royal Festival Hall

Andrew Cartmel

The year 1987 was a notable one in music history. In February, Burt Bacharach won the Grammy for best song with “That’s What Friends Are For”, and two months later Joss Stone was born in England. At the age of 17 Stone would be nominated for three Grammies of her own, and at 19 would become a winner. She remains a platinum-selling singer and songwriter at the top of her game.

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Carole King performs Tapestry, Hyde Park BST Festival

joe Muggs

If last night made anything clear it's that some things are still some way beyond the reach of hipster reappropriation. The audience in Hyde Park for Carole King was 99% white and middle-aged, with the very few younger people scattered about appearing to be teenagers there with their parents.

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Walk Off The Earth, 02 Academy Brixton

Katie Colombus

For a self-made band that found success via the creation of quirky, imaginative YouTube videos spread via social media, there's a level of expectation regarding the same kind of creativity in their live shows. But in  fact Canadian indie band Walk Off The Earth's REVO tour experience is a very simple one. 

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Reissue CDs Weekly: Pink Floyd

Kieron Tyler

Pictured above is the label of an exceptionally important Pink Floyd record issued last November. Only a thousand people bought a copy. That was the amount that hit shops. Pink Floyd 1965: Their First Recordings was a double seven-inch set with a historic importance inversely proportionate to its availability.

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Pat Metheny, Ronnie Scott's

Thomas Rees

£100 – £175 is a lot of money to pay for two hours of music, but that’s what it cost to see Pat Metheny at Ronnie Scott’s this week.

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theartsdesk at Glastonbury Festival 2016

Caspar Gomez

Not every Glastonbury can be blazing summer. 2016 was hard work, with real world gloom permeating the already damp party bubble. But, as your teachers used to say, you only get out what you put in. The only way to take things was to go hard or go home, no quarter given and pay later.

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The Orchestra of Syrian Musicians, with Damon Albarn & Guests, RFH

Dylan Moore

Before playing a version of  “Out of Time”, the lead single from Blur’s 2003 album Think Tank, Damon Albarn explains that “at Glastonbury, it really was out of time: there was a problem with our monitors and we were about a bar a half out.” Last night’s rendition at Royal Festival Hall was not perfect, but the Syrian National Orchestra’s backing was enough to earn a fist pump from Albarn, who skipped off the stage theatrically as if to underline his pleasure.

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Reissue CDs Weekly: Wake Up You!

Kieron Tyler

It begins with “Never Never Let Me Down” by Formulars Dance Band. “You’re the only good thing I’ve got,” declares the singer of a garage-band answer to The Impressions over a rough-and-ready backing where a shuffling mid-tempo groove is driven along by wheezy organ and scratchy lead guitar. When the band unites to sing harmonies, the massed vocal is distorted: a sure sign of an overloaded microphone.

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Sónar Barcelona 2016

joe Muggs

A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the violent attack on Jo Cox started filtering through as we danced under the Catalan sun on Thursday afternoon, it threw the nature of Sónar festival into relief.

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theartsdesk on Vinyl: Volume 18 - Star Wars, Plaid, Air, Fog, 18+ and more

Thomas H Green

For new, independent artists, access to putting music on vinyl can seem daunting, especially to those who’ve grown up in the era of virtual music. There are schemes out there to counter this, notably the VF Selects programme, wherein the self-explanatory Vinyl Factory, together with FACT online magazine and the crowd-funding site Born.com, offer an opportunity. Between these organizations, the weight of funding, production and promotion is carried.

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