sat 21/06/2025

New Music Reviews

Gregory Porter, Royal Albert Hall review - impressive first night for the Nat King Cole & Me tour

Sebastian Scotney

It was 2011 when Gregory Porter made his first London appearances at Pizza Express in Dean Street. That club has a capacity just over 100, and yet it only seems like yesterday.

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theartsdesk on Vinyl 38: Led Zeppelin, Lissie, Holger Czukay, Gomez, Ringo Starr, Moscoman and more

Thomas H Green

Can you find a more extensive and comprehensive rundown of monthly vinyl releases than theartsdesk on Vinyl? We can’t. But then we would say that. Don’t believe us, though; below we surf punk, techno, film soundtracks, folk, major label boxset retrospectives, avant-garde electronica, pop, R&B and tons more. Dive in!

VINYL OF THE MONTH

Belako Render Me Numb, Trivial Violence (Belako)

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Reissue CDs Weekly: Shirley Collins

Kieron Tyler

 “When I was singing at my best, I was the essence of English song. And that was all I ever really wanted.” It’s said without pride and in a matter-of-fact manner. The speaker is Shirley Collins in the documentary The Ballad of Shirley Collins. Issued on DVD in a package with a CD collecting music which defines parts of her world, the film tracks a person balancing certainty about who she is and was with an enviable level-headedness.

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Reissue CDs Weekly: Spirit

Kieron Tyler

The press ad for Spirit’s debut album wasn’t shy. “Five came together for a purpose: to blow the sum of man’s musical experience apart and bring it together in more universal forms. They became a single musical being: Spirit. It happens in the first album.” Of the band’s bassist Mark Andes, it declared “the strings are his nerve endings”. Drummer Ed Cassidy apparently “hears tomorrow and he plays it now”.

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Beth Nielsen Chapman, Cadogan Hall review - Nashville chats

Liz Thomson

There were empty seats at Cadogan Hall on Thursday night which was a crying shame, for Beth Nielsen Chapman was in town and she played a wonderful set, full of warmth and charm and powerful singing, her voice always true and expressive.

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Tim Maia tribute, The Jazz Café review - the Brazilian wild soul legend revival continues

Peter Culshaw

The packed crowd at the Jazz Café was fired up by a sizzling samba soul band led by Kita Steuer on bass and vocals, singing along to a production line of hits, complete with dynamic brass section and superior percussion. All songs by a singular Brazilian artist, Tim Maia, who died 20 years ago and whose music was being celebrated.

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Reissue CDs Weekly: Cocteau Twins

Kieron Tyler

This column last encountered Cocteau Twins in 2015 when the compilation The Pink Opaque and the Tiny Dynamine/Echoes in a Shallow Bay album, which collected two EPs, were reissued on vinyl only.

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Brit Floyd, Symphony Hall, Birmingham review - the old ones are the best

Guy Oddy

It’s now 24 years since Pink Floyd pretty much stopped being a going concern and 33 since the departure of artistic powerhouse Roger Waters. So, apart from a brief band reunion at 2005’s Live8 concert, Floyd-heads have had little to keep them happy apart from periodic album reissues for the best part of a generation.

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Reissue CDs Weekly: Robert Kirby

Kieron Tyler

The similarity is intentional. The cover design of When the Day is Done – The Orchestrations of Robert Kirby nods explicitly to that of Nick Drake’s debut album Five Leaves Left. That wasn’t just the first record by the singer-songwriter, it was also first time most people heard Kirby’s string arrangements. He and Drake had been friends at Cambridge University.

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Scott Bradlee’s Postmodern Jukebox, Roundhouse - hits and misses

Matthew Wright

There are good musical reasons why it might never have occurred to you to wonder how Lady Gaga would sound if adapted by Duke Ellington; Radiohead by Sidney Bechet; or Bruce Springsteen by Frank Sinatra.

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