fri 20/06/2025

New Music Reviews

k.d.lang, Brighton Dome review - superb revival of classic album

Veronica Lee

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation of gay men and women, closeted or out, who felt it spoke directly to them.

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CD: The Flaming Lips – King’s Mouth

Owen Richards

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an accompaniment to his art installation in which visitors enter a giant metallic head. Rather on the nose for a metaphor, but still a hell of an invitation.

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Elbow and New Order, Lucca Summer Festival review – a meeting of Mancunian minds?

Kathryn Reilly

Thirty-three years ago, at Manchester's Festival of the Tenth Summer, I fumed that New Order had been given top billing over The Smiths, much to the mirth of a couple of reviewers of this very parish. History has proved me wrong, obviously. So, to Italy, and a modest-sized and relatively modern piazza (Napoleonic) in beguiling, ancient Lucca.

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Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review – a one-off or a premiere?

Sebastian Scotney

"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation for his Ivor Award a few weeks ago. “Joyful, insouciant and insanely clever,” wrote Evan Parker in a sleeve-note describing his re-workings of Charlie Parker in Confirmation (2011), the second album with his Belovèd Trio.

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Bob Dylan and Neil Young, BST Hyde Park review - flat-out brilliant and strangely compelling

Russ Coffey

It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course, everyone knows that only one of the two acts is still a conventional performer. And it's not Bob Dylan.

Throughout the afternoon men in old tour t-shirts discussed concerts they'd seen and wondered what might be in store today. The sun was shining and a...

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Florence + the Machine, BST Hyde Park review - mastering the matriarchy

Katie Colombus

It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans.

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Reissue CDs Weekly: John Renbourn

Kieron Tyler

Although British folk-jazz stylists Pentangle played their first official concert in May 1967, their name is borrowed for the title of Unpentangled, a box set of their guitarist John Renbourn’s work on album which kicks off two years earlier.

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theartsdesk at the Montreal International Jazz Festival - fabulous at 40

Sebastian Scotney

The Montreal Jazz Festival is vast. It attracts an audience of between 1.5 and 2 million people over its 12 nights. It has been estimated to bring the city more revenue than the Canadian Grand Prix.

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Public Service Broadcasting, Caerphilly Castle review - rising to the occasion

Owen Richards

Among the summer gigs being held in Caerphilly this summer, it seemed a tall order for electronic/math rock instrumentalists Public Service Broadcasting to pack out a castle. They may be more current, but the others (The Stranglers, Groove Armada, The Zutons et al) at least had notable commercial periods.

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Frank Turner, King Tut's Wah Wah Hut, Glasgow review - songs about love, friendship and putting the world to rights

Lisa-Marie Ferla

“When I was a small boy growing up in the south of England,” says Frank Turner - pausing just long enough for the anticipated good-natured jeering from the Scottish crowd - “I dreamed of playing the legendary King Tut’s Wah Wah Hut.”

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