mon 30/06/2025

New Music Features

The Seckerson Tapes: Kerry Ellis Interview

Edward Seckerson Kerry Ellis: a musical-theatre-diva-cum-rock-chick

Kerry Ellis amassed a legion of adoring fans when she went "green" playing Elphaba in Stephen Schwartz's smash-hit musical both in London and on Broadway. But her pre-eminence as a musical-theatre-diva-cum-rock-chick was secured earlier still when Brian May, the celebrated lead guitarist of Queen, asked her to play Meat in the Queen/ Ben Elton show We Will Rock You. May quickly recognised a symbiosis between them and their CD single Wicked in Rock sprung a rip-roaring...

Read more...

Serge Gainsbourg vs The Anglo-Saxons

Kieron Tyler

The arrival of Gainsbourg: Vie Héroique in British cinemas this week – under its Anglo-Saxon title Gainsbourg – assumes that distributors think there’s an audience. Even so, Gainsbourg hardly has the appeal of a Johnny Cash biopic. Or even an Ike Turner biopic.

Read more...

Larkin's Jazz, Proper Records

peter Quinn

“A E Housman said he could recognise poetry because it made his throat tighten and his eyes water. I can recognise jazz because it makes me tap my foot, grunt affirmative exhortations, or even get up and caper round the room.” For those curious to discover the kind of music that made poet Philip Larkin leap around shouting “Yeah, man”, help is at hand.

Read more...

Interview: Os Mutantes

Peter Culshaw The mutants in regalia

Arnaldo Baptista of Os Mutantes is telling me why South American music can be so compelling: "It's the historical mix, Incas, black Africans, Europeans, beings from Outer Space." I beg his pardon. "Oh, yes, I have seen many flying saucers". Arnaldo is being perfectly serious and launches into his theory of Time (he has formulas and diagrams) which state that once humans go faster than the speed of light, we will be able to travel back to the past. He thinks will freeze himself cryogenically and...

Read more...

The Seckerson Tapes: Sting Interview

Edward Seckerson

The location is Sting's beachside house in Malibu the morning after the night before: another night, another venue - the Hollywood Bowl - another three-hour Concert of his songs. That's concert with a capital "C" because this time Sting has brought along more than just a few of his favourite musicians to join him, he's brought along the 50-strong Royal Philharmonic Concert Orchestra, "the biggest band I've ever worked with".

Read more...

theartsdesk in Copenhagen: The Copenhagen Jazz Festival

peter Quinn

It's Friday afternoon, the sun's beating down, and I'm kicking back with a cold one in Kongens Have, Copenhagen's oldest and most idyllic park. From the bandstand, the music of Duke Ellington falls mellifluously on my ears, the languorously swinging, behind-the-beat groove of the specially assembled Band Leader Session perfectly suiting the sultry atmosphere. We can't know for sure what heaven will be like, but I'm hoping it'll be something like this.

Read more...

theartsdesk at the Gnawa Festival, Essaouira

Tim Cumming Gnawa musicians playing at opening ceremony

Come the end of June in Essaouira on Morocco’s Atlantic coast, up to half a million festival-goers team the narrow, traffic-free streets of the medina, its two huge open squares, and numerous courtyards and riyads around town, for what must be the world’s biggest free festival. It is dedicated to Gnawa, the trance and healing music of African Moroccans who had been inveigled into slavery in centuries past – there was a slave market in Essaouria until the early part of the 20th century – and...

Read more...

UK Festivals 2010 Round-Up

Ismene Brown

Get your tent and ice-box and plan your summer's entertainment with theartsdesk's definitive clickable festival guide - listings and links for all the UK festivals this summer, from heavy rock by Scottish lochs to Morris-dancing in the south west, and taking on opera, classical and major international arts festivals for good measure.

Read more...

theartsdesk in Fes: The World Sacred Music Festival

Peter Culshaw

The interior world of Morocco seems a magical place where music and words have more power than in the disenchanted, cold light of the North. On the plane on my first trip to Fes I met a businessman, in import-export, wearing a Burton suit. The strangeness of Morocco revealed itself when he started telling me of his current problem, that his daughter has been put under a spell by a djinn (he translated the word as “devil”) residing in a frog. His mother was a member of the Hamdashas...

Read more...

Dinner with Caetano Veloso

Peter Culshaw

You forget how fast the night descends in the tropics, in half an hour the light goes, the sun disappearing with a grand melodramatic finality. You understand the Mexican tribe who believe without their prayers it will never rise again. But it leaves behind a warmth in the enveloping womblike darkness. With the breeze against our faces in the Bahian night, Brazil’s most celebrated pop star is showing me his domain, a fabulous clifftop house in Salvador de Bahia in the state in the North-East...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...

theartsdesk Q&A: director Andreas Dresen on his anti-Naz...

Andreas Dresen directs socially engaged realist films that invariably relay personal and political messages; the result can be tough but is...

Hercules, Theatre Royal Drury Lane review - new Disney stage...

Many years ago, reviewing pantomime for the first time, I recall looking around in the stalls. My brain was saying, “This is...