wed 10/09/2025

dance

Le Corsaire, English National Ballet, Milton Keynes Theatre

Hanna Weibye

It’s been a good year for the colourful side of classical ballet in England. Anyone who thought the 19th-century greats were all about swans, sylphs and wilis, ghostly in clouds of white tulle, will have reconsidered after seeing two productions of La Bayadère (idols in India) and two of Don Quixote (castanets in Castile), both of which are not so much spectral as full spectrum.

Read more...

The Sleeping Beauty, Birmingham Royal Ballet, Sadler’s Wells

Judith Flanders

Sometimes it’s better to be lucky than good. Sometimes, of course, it’s even better to be both. And Birmingham Royal Ballet, in their all-too-brief London season, have been both lucky and good. Lucky, because they have Peter Wright’s little jewel of a production to dance; and good because, well, they’re good in it.

Read more...

Bintley Triple Bill, Birmingham Royal Ballet, Sadler’s Wells

Judith Flanders

Is David Bintley the one that got away, the wrong turning the Royal Ballet took in the early 1990s? I have long thought so, and watching their current triple bill, the feeling only grows. Bintley trained at the Royal Ballet School, graduated into Sadler’s Wells (now Birmingham Royal Ballet), and became house choreographer for the Royal in 1985.

Read more...

Atomos, Wayne McGregor|Random Dance, Sadler's Wells Theatre

Hanna Weibye

Some choreographers get turned on by stories; others by music; yet others by the unpredictable magic of rehearsal room chemistry between dancers. Wayne McGregor, the shaven-headed, lanky, black clad superstar of British contemporary ballet, apparently needs a few research scientists, and a question philosophers have been trying to answer for three thousand years: what is a body?

Read more...

The Culture Show: Sylvie Guillem - Force of Nature, BBC Two

Ismene Brown

The ballerina Sylvie Guillem was always out on a limb, even when she was the classical star at the Royal Ballet in the '90s and early '00s. She was French, she was tall, she was unbelievably flexible, she was staggeringly charismatic, and she had no fear of setting her terms and saying “non” if they didn’t suit.

Read more...

Don Quixote, Royal Ballet

Judith Flanders

The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new production courtesy of West End musical designer Tim Hatley (Shrek and Spamalot), and an amped-up re-orchestrated score...

Read more...

Triple Bill, Cedar Lake Contemporary Ballet, Sadler's Wells

Katie Colombus

Cedar Lake Contemporary Ballet are a lot like the city they hail from. Like New York, they are bold, zingy, multicultural and they move with an irrepressible energy.

Read more...

Dracula, Mark Bruce Company, Tobacco Factory, Bristol

mark Kidel

The rich cocktail of sex, bestiality and possession that lies at the heart of the vampire myth is a perennial crowd-pleaser, a surefire frightener set in an all-too-familiar discomfort zone. Mark Bruce’s rich and reference-laden take on Bram Stoker’s 1897 classic presents a Transylvanian count who is both Everyman and Other.

Read more...

Thinking With the Body, Wellcome Collection

Sarah Kent

While the main gallery is closed for renovation, the Wellcome Collection has taken the opportunity to mount a fascinating upstairs show exploring the way choreographer Wayne McGregor collaborates with scientists.

Read more...

Flamenco: Gypsy Soul, BBC Four

Ismene Brown

Here's an association test - what's next in the sequence: flamenco, gypsy, soul? Yes, you win the free tourist trip to Andalucía along with writer Elizabeth Kinder, with whom you will almost certainly enjoy weak sangria and tapas while stumbling amusingly in bad Spanish, and you won't be troubled by a single unfamiliar thought about this alluring form of dance, music and poetic song.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Lammermuir Festival 2025 review - music with soul from the h...

One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a...

Album: Yasmine Hamdan - I Remember I Forget بنسى وبتذكر

A lot is going on during Yasmine Hamdan’s third solo album. Despite all ten songs of I Remember I Forget بنسى وبتذكر drawing from the...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Ora...

My final visit to the Proms for this year was a Sunday double-...

Honey Don’t! review - film noir in the bright sun

The Coen brothers’ output has been so broad-ranging, and the duo so self-deprecating, that critics have long had difficulty getting their arms...

Blu-ray: The Sweeney - Series One

You’ll have absorbed key strands of The Sweeney‘s DNA even if you’ve never watched an episode, ITV’s groundbreaking police drama having...

theartsdesk on Vinyl 92: Marianne Faithful, Crayola Lectern,...

VINYL OF THE MONTH

Black Lips Season of the Peach (Fire)

...

Blondshell, Queen Margaret Union, Glasgow review - woozy roc...

There is such nonchalance with Sabrina Teitelbaum that even her appeals to the crowd appeared laid-back. At points during her set the Los Angeles...

Ganavya, Barbican review - low-key spirituality

At the start or her show, the white-robed singer Ganavya does something unusual: while other performers usually warm their audience up before...

Music Reissues Weekly: Chiswick Records 1975-1982 - Seven Ye...

Chiswick Records 1975-1982 - Seven Years at 45 RPM is a triple album marking the 50th anniversary of the first release...