fri 27/06/2025

Classical Reviews

Castalian Quartet, Edinburgh International Festival 2023 review - nothing taken for granted

Simon Thompson

This concert, the Edinburgh International Festival debut of the Castalian Quartet, almost didn’t happen due to the illness of their second violin, Daniel Roberts. Then, a couple of days ago, in stepped Yume Fujise, leader of the Kleio Quartet, to save the day, which is no mean feat considering that this programme featured both a world premiere and the knottiest of Beethoven’s late quartets.

Read more...

Yeol Eum Son / Clara-Jumi Kang, Edinburgh International Festival 2023 review - theatrical virtuosity from stunning soloists

Simon Thompson

The Edinburgh International Festival’s focus on Korea moves to the Queen’s Hall in the festival’s middle week, with performances from two Korean soloists playing alone.

Read more...

Prom 42: Cho, Philharmonia, Rouvali review - inflation offset by sweet oases

David Nice

Chopin’s piano concertos and Strauss “symphonic fantasia” Aus Italien are young men’s music, bursting with inspired ideas, but baggy at times, hard to steer. Elgar’s In the South is up there with the mature Strauss tone poems – even if it couldn’t have taken the shape it did without them – but here the steering itself was the problem: missing the exuberance, the Philharmonia’s Principal Conductor Santtu-Matias Rouvali stretched it on the rack.

Read more...

National Youth Choir of Scotland, RSNO, Bell / Quasthoff, Amatis Trio, Edinburgh International Festival 2023 review - from the heights to the depths

Simon Thompson

The National Youth Choir of Scotland have the most easily pronounceable acronym in Scottish music: everyone up here knows who you’re talking about when you mention NYCOS.

Read more...

Prom 39: Schiff, Elbert, Budapest Festival Orchestra, Fischer 3 review - jaw-dropping standards of orchestral playing

Sebastian Scotney

The Budapest Festival Orchestra never stops proving what a great ensemble it is. In last night’s concert, the third Prom of its weekend residency, the miraculous ways in which the absurd humour of Ligeti, the deep soulfulness of Bartók and the implacable genius of Beethoven were brought to the surface were not just joyful and completely fulfilling, but also unfailingly drew in the attention of the whole audience in a completely full Royal Albert Hall.

Read more...

Prom 38: Audience Choice, Budapest Festival Orchestra, Fischer 2 review - true democracy or tricksy referendum?

David Nice

It would be worth travelling a long way to hear the Budapest Festival Orchestra giving such a lithe, athletic performance under its founder and Music Director Iván Fischer of Glina’s Ruslan and Lyudmila Overture. That was the Radio 3 and Proms Audience Choice from 19 overtures and preludes whittled down to three. What happened next, despite some equally lustrous playing, didn’t always work so well.

Read more...

Han, KBS Symphony Orchestra, Inkinen / Dunedin Consort, Butt, Edinburgh International Festival 2023 review - a tale of two very different orchestras

Simon Thompson

There’s a Korean strain to the Edinburgh International Festival’s programme this year, more in the drama programme than in the music one, but it came to the Usher Hall in Friday night’s concert from the KBS Symphony Orchestra (★★★★). They play a similar role in Korea to what the BBC Orchestras do in the UK (KBS stands for Korean Broadcasting System) and if this concert is anything to go by then they’re a jolly impressive bunch of musicians.

Read more...

Prom 37: Schiff, Budapest Festival Orchestra, Fischer 1 review - landscapes and mindscapes

Boyd Tonkin

“Very traditional, but fun,” ran the verdict of one fellow-traveller as we waited for a bus outside the Royal Albert Hall on Saturday night. No one can gainsay the infectious fun that the Budapest Festival Orchestra bring to every gig. For all its musical accomplishment, Iván Fischer’s all-singing (yes, they did) if not quite all-dancing (yet) outfit never forget that they belong to a, rather elevated, branch of show business.

Read more...

Schiff, Budapest Festival Orchestra, Fischer / Emmanuel Ceysson & Friends, Edinburgh International Festival 2023 review - Hungariana and harp

Simon Thompson

You’d feel short-changed if an orchestra like the Budapest Festival Orchestra came to the Edinburgh Festival and didn’t play some Hungarian music, so why not put together a whole concert of the stuff?

Read more...

Ilker Arcayürek, Malcolm Martineau, Edinburgh International Festival 2023 review - vocal tension saved by poetic pianism

Simon Thompson

It’s an everyday story of festival folk. The festival’s Queen’s Hall concert on Wednesday morning was meant to be a song recital from Günther Groissböck, but he cancelled at (I’m told very) short notice due to illness and the festival team had to scrabble around to find a replacement pronto.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or...

Chicken Town review - sluggish rural comedy with few laughs...

Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody...

Album: Lorde - Virgin

Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose...

Aldeburgh Festival, Weekend 2 review - nine premieres, three...

Actually it was a Thursday evening to Saturday experience, but what riches in seven concerts. The only Britten I heard was one of the S...

F1: The Movie review - Brad Pitt rolls back the years as mav...

As producer Jerry Bruckheimer cautioned a preview audience, “Remember, this is not a documentary. It’s a movie.” Bruckheimer teamed up with...

Bleak landscapes and banjos: composer Bernard Hughes discus...

Composer Bernard Hughes first met director Richard Bracewell when working on the film Bill, a 2015 Horrible Histories take on...

Album: Bruce Springsteen - Tracks II: The Lost Albums

It’s somewhat surprising to read that The Boss wasn’t happy with Born in the USA. After all, it was –...

Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Dangerous Matter, RNCM, Manchester review - opera meets scie...

Opera can take many forms and fulfil many purposes: this chamber opera by Zakiya Leeming and Sam Redway is about vaccination. Based on history, it...