Classical Reviews
Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotionsWednesday, 01 November 2023
For the first half of this spellbinding recital, Maxim Vengerov chose three works framed by one of Romantic music’s most infamous and turbulent stories. Read more... |
Lang Lang, Bridgewater Hall, Manchester review - playing with the musicTuesday, 31 October 2023
The showman was back – and, bless him, he can still sell every seat in a big hall even if the programme offers close on an hour and a half of unalloyed Bach. Read more... |
Lugansky, RPO, Petrenko, RFH review - so sure in all their waysMonday, 30 October 2023
It’s a given that no finer Rachmaninov interpreter exists than Nikolai Lugansky – a few others may see the works differently, not better – and that Vasily Petrenko has an uncanny affinity with both the swagger and the introspection of Elgar. But just how clearly and deeply both made their understanding felt seemed like an harmonious miracle in the most famous of all Second Piano Concertos and a parallel journey of revitalisation from Petrenko in Elgar’s world-embracing First Symphony. Read more... |
Feldmann, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - adventures in the unusualMonday, 30 October 2023
For the most adventurous programme in its autumn Saturday series at the Bridgewater Hall, the BBC Philharmonic’s John Storgårds brought two works from his native Finland’s repertoire, and a concerto some distance from the beaten track.Like the Hallé’s concert of mainly new music with Thomas Adès two days before, it did not pull the crowds in, despite a sweetener in the mix, but those who were there were enthusiastic. Read more... |
Capuçon, Philharmonia, Bancroft, RFH review - enjoyable all-American classicsFriday, 27 October 2023
The Philharmonia’s current season, Let Freedom Ring, celebrates American music through some notably interesting programming. And although last night’s concert was very conventionally structured, with an overture, concerto and big symphony to finish, it was also the chance to hear some repertoire only quite rarely presented. Read more... |
Marwood, Hallé, Adès, Bridgewater Hall, Manchester review - winning way with new musicFriday, 27 October 2023
Thomas Adès had a job to do in his first concert with the Hallé since being appointed Artist-in-Residence for the next two years: to win over the audience that came to witness it. Read more... |
Schiff, Höbarth, Coin, Wigmore Hall review - Schubert minus transcendenceThursday, 26 October 2023
A full Wigmore Hall always feels special. Formerly we saw a board with the words “HOUSE FULL” on it, in large, bright red capital letters at the entrance. If we had tickets back then, we knew how lucky we were. These days, the 552-seater hall gets booked out far more often, as it was last night. The promise of a programme of Schubert (both of the piano trios composed near the end of his all-too brief life) played by performers including András Schiff had filled the hall. Read more... |
Paris Chapters, Barbier Serrano, Finegan, Ling, Bloomsbury Festival review - beguiling journey around Irishmen abroadTuesday, 24 October 2023
Young French soprano Clara Barbier Serrano has everything it takes to shine in an overcrowded singers’ world, including vivacious communicative skills – I witnessed those for the first time last Tuesday, when she performed at the Oxford International Song Festival without the score in front of her – attention to detail and a knack of forging unusual programmes beyond the usual song-recital round, commissions included. Read more... |
Rice, Ridout, Drake / A Human Document, Oxford International Song Festival review - a cornucopia of song, speech and visionWednesday, 18 October 2023
The word “great” is going to be stated, or implied, rather a lot here. Christine Rice is, after all, one of the world’s great mezzos, and her partnership with Julius Drake has long been something to seek out at every opportunity. Add to the mix a young viola player already in the top league, Timothy Ridout, and a programme featuring music by an individual voice among composers, Rebecca Clarke, and there was reason enough to travel to Oxford yesterday. Read more... |
Song of Songs, Pam Tanowitz/David Lang, Barbican Theatre review - sublime music and intricate dance bring life to a 2,000-year-old love poemMonday, 16 October 2023
On the whole the Bible is not big on sex and sensuality, with the exception of one very short book in the Old Testament. The Song of Solomon – aka Song of Songs – is a hymn to carnal pleasure, one whose vivid descriptions of perfect flesh and brimming wine flagons have divided religious scholars for centuries. Read more... |
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