Classical Reviews
Uchida, CBSO, Nelsons, Symphony Hall, BirminghamFriday, 03 May 2013
“Did he who made the Lamb make thee?” Blake asked the tiger. One might have asked the same question of Scriabin’s Poem of Ecstasy, with Mozart’s G major Piano Concerto, K.453, as the lamb, in this hyper-diverse Birmingham concert. Read more... |
The Rest is Noise: LPO, Jurowski, Royal Festival HallSunday, 28 April 2013
Vladimir Jurowski deemed this the most challenging of any programme in the Southbank’s year-long The Rest is Noise festival and proceeded to tell us precisely why. That his little preamble lasted almost twice as long as the first piece - Webern’s Variations for Orchestra Op.30 - was an indicator of just how scientific the thinking behind his programme was. Jurowski instinctively understands how and why works impact on each other in the way they do. Read more... |
Mangan, Royal Academy Opera Students, BBCSO, Denève, Barbican HallSaturday, 27 April 2013
Highly sexed cockerels and cats, a lovesick lion and a ballet of frogs might not seem like a recipe, or rather a menagerie, for profundity. Yet in two ravishing French man (or child)-meets-beast fables for the stage, Poulenc and Ravel are quite capable of tearing at our heartstrings. That they did so unremittingly last night was very largely due to the supernaturally beautiful sounds master conjuror Stéphane Denève drew from the BBC Symphony Orchestra. Read more... |
Monteverdi Choir, London Symphony Orchestra, Gardiner, Barbican HallFriday, 26 April 2013
Backed up by reasonably adventurous orchestral programming, lucky conductors can forge a strong Stravinsky evening by picking and mixing from his five ancient Greek rituals. Sir John Eliot Gardiner, unintentionally homaging the late Sir Colin Davis who at least in earlier days would have jumped to such a pairing, chose to celebrate his 70th birthday with the extremes of white balletic lyric poem Apollon musagète and hard-hitting blackest tragedy Oedipus Rex. Read more... |
Cooper, Budapest Festival Orchestra, Fischer, Royal Festival HallTuesday, 23 April 2013
Visiting orchestras and conductors often complain about agents’ insistence that they programme their main national dishes. The request is partly understandable: we all want to hear the Vienna Philharmonic in Mahler, the Czechs in Dvořák, the Hungarians in Bartók. On this occasion, it seemed like no bad thing to welcome back the Budapest Festival Orchestra and its febrile, masterly music director Iván Fischer in a work they’ve brought to London before, Bartók’s Concerto for Orchestra. Read more... |
Verdi's Requiem, Philharmonia Orchestra, Gatti, Royal Festival HallSunday, 21 April 2013
It was clear that there was an Italian on the podium. Muted strings invoked an atmosphere so crepuscular that, when one involuntarily closed one’s eyes, the murmur of voices intoning the words “Requiem aeternam” seemed to come from deep inside the cathedral. The theatricality of Verdi’s Messa da Requiem is inescapable but what was also inescapable under Daniele Gatti’s baton was that every phrase, instrumental and vocal, is breathed as a singer might breathe it. Read more... |
Lamsma, BBCSO, Brabbins, Barbican Hall/ Mei Yi Foo, Kings PlaceSaturday, 20 April 2013
Brave old world, that has so much unheard music in it. Read more... |
Classical CDs Weekly: Bach, Berlioz, Mythos Accordion DuoSaturday, 20 April 2013
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Classical CDs Weekly: Rachmaninov, Strauss, Sir John BarbirolliSaturday, 13 April 2013
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City of London Sinfonia, Layton, Southwark CathedralFriday, 12 April 2013
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Bach: Cantatas for Ascension Day The Monteverdi Choir, English Baroque Soloists/John Eliot Gardiner (SDG)
Rachmaninov: Piano Concertos 1-4, Paganini Rhapsody Valentina Lisitsa, London Symphony Orchestra/Michael Francis (Decca)Pages
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