fri 20/06/2025

Classical Reviews

Watkins, BBCSO, Bychkov, Barbican

Gavin Dixon

We don’t often hear Semyon Bychkov in the core Austro-German repertoire. That’s a great shame, because the qualities that make his Russian music performances so special are just as valuable here: the dynamism and immediacy, the supple but propulsive phrasing, and, above all, the firm, guiding hand, exerting control without imposing restraint.

Read more...

Rana, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham

Richard Bratby

As pianist Beatrice Rana ran up the final bars of Schumann’s Piano Concerto, the conductor Mirga Gražinytė-Tyla turned to her soloist and simply beamed. As well she might. Rana is an artist whose advance publicity belies the seriousness and selflessness of her playing.

Read more...

Cesari, BBCSSO, Pintscher, City Halls, Glasgow

David Kettle

Forget your celebratory Messiahs and your crowd-pleasing Strauss galas. Instead of easing listeners gently into 2016 with conventional New Year fare, the BBC Scottish Symphony Orchestra went for the shock approach in its 2016 opening concert: non-stop, back-to-back, uncompromising contemporary music. And it felt like a marvellously bracing, ear-cleansing, provocative way to kick off the year’s concerts.

Read more...

Goyescas, Khamis, Houston, National Gallery

David Nice

"I fell in love with the psychology of Goya and his palette,” wrote brilliant composer-pianist Enrique Granados at the beginning of an evocative paean prefacing his six original Goyescas of 1909-11, finely-wrought gems of the piano repertoire. In love, too, are most of us who have gaped with awe at the astonishing range and careful selection of portraits in the current National Gallery exhibition - one of its best ever, equal in revelation to the recent Rembrandt spectacular.

Read more...

Classical CDs Weekly: Elgar, Silvestrov, Hideko Udagawa

graham Rickson

 

Elgar: Sea Pictures, Polonia, Pomp and Circumstance Marches 1-5 Alice Coote, Hallé/Sir Mark Elder (Hallé)

Read more...

Hadland / Moser Brothers, Wigmore Hall

David Nice

Prokofiev milestones stood proudly at the ends of the New Year’s first three major UK concert programmes.

Read more...

Scholl, Halperin, Sam Wanamaker Playhouse

alexandra Coghlan

“Music for a while, shall all your cares beguile.” So promise Dryden and Purcell in their hypnotic song, a high-stakes closer for Andreas Scholl and Tamar Halperin’s "Exquisite Love" recital. But beguiling away cares on the eve of a national return to work is a big ask, even in the other-worldly surroundings of the Sam Wanamaker Playhouse, and something that, on this occasion, the countertenor himself couldn’t quite deliver.

Read more...

Murray, National Youth Orchestra of Great Britain, Collon, Leeds Town Hall

graham Rickson

The National Youth Orchestra of Great Britain’s standard of playing is consistently impressive, so much so that it’s easy to forget that the ensemble is effectively reconstituted from scratch each autumn. Last night’s fresh incarnation, deftly conducted by Nicholas Collon, sounded as if they’d been playing together for decades, though without any sense of complacency which that might bring.

Read more...

Classical CDs Weekly: Roger Doyle, Mahler, Prokofiev

graham Rickson


Roger Doyle: Time Machine (Heresy Records)

Read more...

Best of 2015: Classical Concerts

David Nice

The musical future looks bright indeed, at least from my perspective. There are more classical concerts than ever going on across the UK on most days of the year, so who can know with any authority what might have been missed? Yet each of theartsdesk’s classical music writers has a special take on the events of 2015, and part of mine has been the special privilege of following a trail of younger players in out-of-the-way places.

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Monteverdi Choir, English Baroque Soloists, Suzuki, St-Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...