Classical Reviews
Lortie, BBC Philharmonic, Gardner, Bridgewater Hall, Manchester review – whipping up a stormSaturday, 13 January 2018
Edward Gardner was back on familiar ground when he conducted in Manchester last night – his high-profile career began when he was appointed as the Hallé’s first-ever assistant conductor, early in Sir Mark Elder’s era – and his rapport with young audiences and ability to command his players has certainly not diminished. Read more...
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Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and RameauFriday, 12 January 2018
Cheers and huzzahs greeted the arrival of Sir Simon Rattle on the Barbican stage last night before the London Symphony Orchestra had even played a note. The 10-day festivities to open his tenure as principal conductor evidently worked a treat. The hall was full for a lengthy and – on the surface of it – unlikely splicing of Austrian Romantic angst with Baroque arias and dance. Read more... |
Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in gloryMonday, 08 January 2018
Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Read more... |
Breaking the Rules, LSO St Luke's review – music and murder with GesualdoMonday, 08 January 2018
The “concert drama” is on the up, offering audiences a mingled-genre means to experience music and its context simultaneously. Read more... |
National Youth Orchestra of Great Britain, Elder, Bridgewater Hall, Manchester review – maturity from teenage playersSaturday, 06 January 2018
Seventy years old and still imbued with youthful flair and enthusiasm – that’s the National Youth Orchestra of Great Britain, which pioneered new territory in its first concert of 2018 last night. The flair and enthusiasm also apply to Sir Mark Elder, who conducted the event. Read more... |
Ivana Gavrić, Wigmore Hall review - more earth than airFriday, 29 December 2017
Power and intelligence combined make Sarajevo-born British pianist Ivana Gavrić stand out from the crowd. Bass lines are clear and strong; right-hand melodies move in keenly articulated song. Read more... |
Joyce DiDonato and Brentano Quartet, Wigmore Hall - not enough varietyWednesday, 20 December 2017
Even for a singer as driven, communicative and self-reliant as Joyce DiDonato, the song recital with string quartet is a bold step. Whereas an endless repertoire of songs with piano exists, there is virtually nothing off-the-peg for singer and string quartet; it is a case of commissioning the arrangements, and to some extent building your own art form. Read more... |
Christmas Oratorio, LPO, Jurowski, RFH review - right piece, wrong placeMonday, 18 December 2017
Just when you can scarcely move for Messiahs, two Christmas Oratorios came along at once on Saturday night. That’s London concert schedules for you. Read more... |
Coates, Tenebrae, Short, Kings Place review - effective meeting of cello and choirMonday, 18 December 2017
This time of year lots of choirs give lots of Christmas concerts that are more or less the same: traditional repertoire perhaps sprinkled with a few novelties. Read more... |
Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein centenarySunday, 17 December 2017
Leonard Bernstein is 100 already. Actually, he’s not – his centenary falls in 2018, but the LSO, an orchestra he conducted many times, is building up to the anniversary with a series of concerts featuring his three symphonies. Read more... |
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