wed 14/05/2025

Classical Interviews

theartsdesk Q&A: Conductor Edward Gardner

Jasper Rees

It’s odd seeing the whole of Edward Gardner, as upright as a guardsman until a passionate passage unleashes a repertoire of fierce jabs, deft feints and rapid thrusts. For nine years Gardner's main post was on the podium in the pit of the London Coliseum where all you could see were his disembodied hands and, slowly silvering over the course of his tenure, his schoolboy haircut.

Read more...

theartsdesk Q&A: Pianist Stephen Kovacevich

David Nice

“Whatever happened to Stephen Bishop?” is not a question likely to be asked by followers of legendary pianism. Born in San Pedro, Los Angeles on 17 October 1940, the young talent took his stepfather’s name as his career was launched at the age of 11. Later he honoured his own father’s Croatian "Kovacevich", by appending it to the “Bishop”.

Read more...

10 Questions for Conductor Peter Phillips

Sebastian Scotney

Peter Phillips founded the Tallis Scholars, a vocal group specializing in the sacred music of the Renaissance, in 1973 while still a student. He has been directing the ensemble ever since: it is about to perform its 2,000th concert.

Read more...

Q&A Special: Pianist Lucas Debargue

Ismene Brown

Last week the 15th International Tchaikovsky Competition in Moscow was rung down with a sigh of relief for the home team, with once again a Russian pianist in possession of the gold medal, Dmitry Masleev following 2011’s Daniil Trifonov. It was all very satisfactory for President Putin as he delivered his speech at the winners’ gala, being Tchaikovsky’s 175th anniversary year, but it was not a result that many disputed.

Read more...

theartsdesk Q&A: Pianist Yevgeny Sudbin

David Nice

Whatever the recording industry may try to tell you, there is rarely any such thing as a single “best” among today’s pianists. We’ve had Benjamin Grosvenor and Leif Ove Andsnes, excellent artists both, touted as a cut above the rest. But hearing pianists in all corners of the world, you realize how much phenomenal and ungradable talent there is out there.

Read more...

10 Questions for Composer Unsuk Chin

Gavin Dixon

There is no mistaking the music of Unsuk Chin. Born in Korea and based in Berlin, Chin brings a range of cultural perspectives to her work. She often describes her music in terms of light and colour, and evokes dreamscapes when recalling her inspirations. Yet her music also has a strong gestural quality, her musical ideas are clear and definite, often subtle but never ambiguous.

Read more...

10 Questions for Composer Dobrinka Tabakova

Sebastian Scotney

There is everything of the quiet achiever about Dobrinka Tabakova. The softly-spoken Bulgarian-British composer was born in 1980 into a music-loving family of doctors, scientists and academics in the town of Plovdiv in Bulgaria and moved to England in 1991. She has garnered composition prizes from Amsterdam, London, New York, Neuchâtel, Vienna and Warsaw.

Read more...

theartsdesk Q&A: Conductor Sakari Oramo

David Nice

Rattle and the Berliners went home at the beginning of the week with vine-leaves in their hair. There's now something else to celebrate. Exactly one week on from the second concert in their Sibelius cycle, the Barbican hosted even more of an all-out stunner, starting with Sibelius no less compellingly conducted than the best of last week’s symphonic cycle and ending with a performance of the "Inextinguishable" Fourth Symphony by this year’s other 150th birthday composer,...

Read more...

10 Questions for Pianist Benjamin Grosvenor

Jessica Duchen

At all of 22, the British pianist Benjamin Grosvenor has already become one of the best-loved solo pianists in the UK, with an international career that spans the globe. A remarkable child prodigy from Southend-on-Sea, he first shot to prominence when he won the piano section of the BBC Young Musician of the Year competition in 2004, aged only 11, amazing audiences with the maturity and sensitivity of his musicianship.

Read more...

Miloš Karadaglić, 'the guitar player of the people'

Adam Sweeting

Compared to grand divas, virtuoso pianists or stupendous fiddlers, legends of the classical guitar have been few in number. Once you've ticked off Segovia, Julian Bream and John Williams you're pretty much done with the household names. This isn't to impugn the musical powers of players such as Craig Ogden, Pepe Romero, Sharon Isbin or David Russell, it's more a reflection of the niche nature of the instrument.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...