sun 08/06/2025

Classical Features

Franco Fagioli on performing the Baroque: 'a challenge is to interpret beyond the musical notation'

Franco Fagioli

I started singing when I was nine years old in my primary school choir. I sang plenty of solos there before moving on to another children’s choir; that was a formative experience for me. At this point, I was singing the soprano part and from here I was invited to sing in Mozart’s The Magic Flute. This was my first experience of opera, and one that gave me great joy and satisfaction.

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Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interview

joe Muggs

Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases.

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theartsdesk in Bremen: 150 years of A German Requiem

David Nice

STOP PRESS (10/4/2020): this performance is up for a short period on the Deutsche Kammerphilhamonie's website for free viewing. Paavo Järvi is offering a live Q&A on conducting Brahms on Saturday 11 April 2020.

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theartsdesk in Kraków - Easter music with a British focus

Miranda Heggie

Held annually every Holy Week, Kraków’s Misteria Paschalia is one of the continent’s most vibrant early music festivals.

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theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative Passion

David Nice

Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not ruling anything out). That was the hook to visit this year's Easter Festival.

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theartsdesk in Korea: national pride and candour

Peter Quantrill

Fear not. The Arts Desk has not suddenly sprouted a Sports Desk. Heaven forfend. Korea in late February had more to offer than luge, bobsleigh, skeleton and all the other bemedalled and potentially life-threatening variants of hurling bodies down icy slopes. The host region of every Olympic Games throws open a window to the world on its culture, and PyeongChang 2018 was no different.

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theartsdesk in Germany - Baltic mastery in Berlin and Leipzig

David Nice

Punching well above their weights, population-wise, on the international music scene, Estonia, Latvia and Lithuania are celebrating, and being celebrated, in style over the year of their 100th birthdays.

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Best of 2017: Classical concerts

David Nice

Did Simon Rattle's return to the UK as Principal Conductor of the London Symphony Orchestra live up to the hype? Mostly, and when it did, the music-making was superbly alive.

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Bach Cantatas - not just for Christmas

David Nice

Faced with yet another new work premiered by the Borodin Quartet, Shostakovich asked a daunting question: "but have you played all of Haydn's quartets yet?". Of course they hadn't, and felt justly rebuked.

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theartsdesk in Stockholm - HK Gruber and sacred monsters

David Nice

It was excellent, flesh-creepy fun back in 1978, when a young Simon Rattle conducted the Liverpool world premiere with the composer declaiming, but how well has Austrian maverick H(einz) K(arl) "Nali" Gruber's "pandemonium" for chansonnier and orchestra Frankenstein!! stood the test of time? One word: brilliantly.

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