sat 24/05/2025

book reviews and features

Billy Bragg: Roots, Radicals and Rockers review - riffing on skiffle, and more besides

Liz Thomson

Wow! An unconventional opening for a book review maybe, but ‘“wow!” nonetheless. Subtitled "How Skiffle Changed the World", this is an...

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Muhsin Al-Ramli: 'During Saddam’s regime at least we knew who the enemy was' - interview

Rachel Halliburton

Saddam Hussein’s name is never mentioned in The President’s Gardens, even though he haunts every page. The one time that the reader encounters him directly, he is referred to simply by...

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Colm Tóibín: House of Names review - bleakly beautiful twilight of the gods

Boyd Tonkin

The news that Colm Tóibín has written a novel about Orestes, Clytemnestra, Electra and the whole accursed...

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Haruki Murakami: Men Without Women review - a bit too abstract and post-modern

Markie Robson-Scott

“I was a lamprey eel in a former life,” says a woman in “Scheherazade”, one of the most intriguing of the seven stories in Men without Women - it was previously published in the New...

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Hanif Kureishi: The Nothing review - a glittering chamber of ice

Matthew Wright

Kureishi is mostly loved for his bittersweet panoramas of suburban London, ribald and piquant with satire. The Nothing discards that broad canvas and creeps into a glittering...

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Bella Bathurst: Sound, review - an illuminating book on deafness

Liz Thomson

Shelve with Oliver Sacks. In Sound: Stories of Hearing Lost and Found Bella Bathurst has written a fascinating and illuminating book on deafness. Of what it’s like to lose your hearing –...

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Sunday Book: Henry Marsh - Admissions: A Life in Brain Surgery

Marina Vaizey

Is it true that the blob of jelly resembling convoluted grey matter that we carry around in our skulls is really what we are? And how we are, and why? This is the profound question that is...

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theartsdesk at The Hospital Club

theartsdesk

The Arts Desk is delighted to announce a new partnership with The Hospital Club in...

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Sunday Book: Nicholas Hytner - Balancing Acts

Jasper Rees

After the first preview of Mike Leigh’s play Two Thousand Years at the ...

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Sunday Book: Donna Leon - Earthly Remains

Liz Thomson

It’s 25 years this year since Donna Leon introduced us to Commissario Guido Brunetti, a man who in his way has done as much for...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Faust, Royal Opera review - pure theatre in this solid reviv...

“Satan come to me!” The Devil doesn’t so much appear in David McVicar’s Faust as reveal himself to have always been there. We discover...

Mrs. Warren's Profession, Garrick Theatre review - moth...

How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893...

Mongrel review - deeply empathetic filmmaking from Taiwan

There is a dark, spectral quality to this compassionate film about Southeast Asian migrant workers in rural Taiwan. At the centre...

Owen, Manchester Camerata, Takács-Nagy, Stoller Hall, Manche...

Manchester Camerata spent eight years performing and recording a complete edition of Mozart’s piano concertos with Jean-Efflam Bavouzet as soloist...

Album: Morcheeba - Escape the Chaos

Morcheeba reach their 30th anniversary this year. The 1990s...

The Phoenician Scheme review - further adventures in the idi...

It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...

Album: Ammar 808 - Club Tounsi

Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...

Mission: Impossible - The Final Reckoning review - can this...

Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

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