fri 13/06/2025

Visual Arts Reviews

Peter Lanyon, Tate St Ives

Mark Hudson

A retrospective at Tate St Ives can be a poisoned chalice for the major artist. It postpones his or her prospect of a showing at Tate Britain by a couple of decades, and can appear to consign them to the comfort zone of "Cornish Art": the heritage Modernism of Barbara and Ben, Terry Frost, Patrick Heron et al, stuff we love (well, most of us) because it reminds us of being on holiday, but may feel, in our heart of hearts, to be more than a touch minor. On the positive side, Peter Lanyon...

Read more...

Carlos Zuniga, Edel Assanti Gallery

sue Steward 'Falkland Islands, Portrait 5' by Carlos Zuniga: Evoking memories of war

The thin line between Art and Craft gets slimmer as artists like Carlos Zuniga ignore the borders and delve into hands-on production processes. This Chilean photographer, architect and graphic designer works compulsively on large, imposing portraits and landscapes using intensely obsessive techniques.

Read more...

Philippe Parreno, Serpentine Gallery

Fisun Güner 'Invisibleboy', a 'docu-fantasy' about an illegal child immigrant conjuring up monsters in New York

Lovers of the beautiful game may already be familiar with the name Philippe Parreno, or at least with his best-known work. In 2006 he collaborated with artist Douglas Gordon (24-hour Psycho) on Zidane: A 21st-Century Portrait, a film that trained 17 cameras on the footballing genius for...

Read more...

Bridget Riley: Paintings and Related Work, National Gallery

Judith Flanders 'Red with Red 1' (2007) by Bridget Riley

Well, we all make mistakes. Or, in my case, we (I mean “I”) sometimes just fail to look. This new, small but perfectly formed exhibition of Bridget Riley’s work in the National Gallery’s Sunley Rooms follows the pattern that the gallery has developed over the years, with a single artist entering into a conversation with the great art of the past. Riley’s conversation is gripping, and one of the things it says (to me) is, “Shame on you for not looking.”

Read more...

Imagine: Ai Weiwei - Without Fear or Favour, BBC One

Josh Spero

If you found yourself thinking that you were watching Mission: Impossible rather than Imagine, you could have been forgiven. Alan Yentob had clearly been banned from meeting Ai Weiwei in China, and so one of their interviews was conducted over a webcam, with Yentob sitting in the dark, like some spymaster of the arts.

Read more...

High Society, Wellcome Collection

Fisun Güner Just say no? 'Morphinomane' by Eugene Grasset, 1897

It’s amazing what you might have found in your average bathroom cabinet 100 years ago. For those niggling aches and pains, what could be more effective than a bottle of Bayer’s Heroin Hydrochloride? Or how about a soothing spoonful of Sydenham’s Laudanum? If you’re simply in need of a quick pick-me-up, a sip or three of Hall’s Coca Wine – the “Elixir of Life” (basically liquid cocaine) - might put a jolly spring in your step. Oh, and don’t forget those cocaine eyedrops after a particularly...

Read more...

Taylor Wessing Photographic Portrait Prize 2010, National Portrait Gallery

sue Steward

The National Portrait Gallery was early in picking up on the momentum gathering around photography in 2003, and committed itself then to an annual prize for portraiture. Today it’s one of the most anticipated competition exhibitions in the UK, and always exciting, fascinating and memorable. For many of the 60 exhibited photographers, it is often life-changing. This year’s submission exceeded 6,000 entries, all physical prints as the gallery still fends off digital domination. Part of the fun...

Read more...

British Art Show 7, Nottingham Galleries

sue Steward 'NUD CYCLADIC 10' by Sarah Lucas: 'Typical Lucas representations of the human body, its sexual habits, functions - and ridiculousness'

Nottingham always had an eye for beauty. When I was growing up near there, the boast was that its women were the most beautiful in England. Today, it could and should be boasting about Caruso St John’s magnificent concrete landmark adorned with green and gold, the Nottingham Contemporary Gallery and the seventh British Art Show. The...

Read more...

Ego: The Strange and Wonderful World of Self-Portraits, BBC Four

Fisun Güner Laura Cumming presents 'an intelligent, probing and charming visual essay on a unique genre'

Albrecht Dürer painted himself as Jesus (pictured below). Luckily, he was blessed with the looks, the hair and the initials – echoing the geometry of his golden locks the A straddles the D in his inscribed paintings. And when this German messiah of painting died, his beguiling 1500 self-portrait – one of the most hypnotic ever painted in the history of Western art – was carried through the streets of Nuremburg, his birthplace: celebrated during his life, upon his death Dürer...

Read more...

Journey Through the Afterlife: Ancient Egyptian Book of the Dead, British Museum

Fisun Güner The sweet hereafter: Mummy of Katebet c 1300-1275 BC

Those ancient Egyptians, they loved life! So much so that they even conceived of an afterlife that differed hardly at all from the one on Earth, only better: they didn’t get sick and they carried on just as before, to eternity – which might sound like a bore to some, but given that the average life expectancy for an ancient Egyptian - even a very rich one - was 35, a certain reluctance to leave the earthly realm was understandable.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Jane Austen Wrecked My Life review - persuading us that the...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As...
The King of Pangea, King's Head Theatre - grief and hop...

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute ki...

It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a retrospective of the...

Hespèrion XXI, Savall, QEH review - an evening filled with l...

For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader,...

Album: Neil Young & the Chrome Hearts - Talkin' to...

When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy singer-songwriter fare or a set of...

Samuel Arbesman: The Magic of Code review - the spark ages

The slightly overwrought subtitle, "How Digital Language Created and Connects Our World and Shapes Our Future", gives a...

Album: Mary Halvorson - About Ghosts

Although Mary Halvorson leads the sextet Amaryllis on About Ghosts, instrumentally, she does not place her guitar to the fore. The first...

A Midsummer Night's Dream, Bridge Theatre review - Nick...

It’s a sign of the inroads that the term “immersive” has made in theatreland that it now gets jokily namedropped at the...

Saul, Glyndebourne review - playful, visually ravishing desc...

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...