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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Matt Forde, Touring review - politics, poo and Viagra

Saturday, 08 March 2025 Read more...

Harry Hill, Wilton's Music Hall review - madcap comic on terrific form

Monday, 24 February 2025 Read more...

Amy Gledhill, Soho Theatre review - delightfully bawdy take on serious subjects

Monday, 03 February 2025 Read more...

Russell Howard Live at the Palladium review - feelgood philosophy with added smut

Wednesday, 29 January 2025 Read more...

Ben Elton, Duke of York's Theatre review - big subjects, big laughs

Monday, 20 January 2025 Read more...

Chris McCausland, Winchester Theatre Royal review - Strictly winner as cheerfully cynical as ever

Thursday, 16 January 2025 Read more...

Gala Preview Show, De Montfort Hall review - Leicester Comedy Festival nicely teed up

Monday, 13 January 2025 Read more...

Best of 2024: Comedy

Monday, 30 December 2024 Read more...

Jamie Foxx, Netflix Special review - doctors and divine intervention

Friday, 27 December 2024 Read more...

Ricky Gervais, Touring review - new show, not-so new gags

Thursday, 05 December 2024 Read more...

Kemah Bob, Soho Theatre review - Thailand, massage and mental health

Wednesday, 20 November 2024 Read more...

Natalie Palamides: Weer, Soho Theatre review - a romcom of two halves

Tuesday, 12 November 2024 Read more...

Kiri Pritchard-McLean, Brighton Dome review - a foster carer's tale

Monday, 28 October 2024 Read more...

Rose Matafeo, Arcola Theatre review - Starstruck star muses on love

Monday, 14 October 2024 Read more...

Ellen DeGeneres, Netflix Special review - no mea culpa and few jokes

Tuesday, 08 October 2024 Read more...

Joe Rogan, Netflix Special review - US podcaster leaves the controversy - and the jokes - at home

Saturday, 28 September 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Works and Days, Edinburgh International Festival 2025 review...

With the sheer density of theatrical creations jostling for attention across...

MARS, Irish National Opera review - silly space oddity with...

The craft heads to Mars, the music remains below on earth. Which is partly intentional: composer Jennifer Walshe tells us she listened to “synth...

Tom at the Farm, Edinburgh Fringe 2025 review - desire and d...

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm...

Eight Postcards from Utopia review - ads from the era when 1...

If you saw it blind, with no information about its origins, Eight Postcards from Utopia might look like 70 minutes of outtakes...

Music Reissues Weekly: The Final Solution - Just Like Gold

The booklet coming with Just Like Gold - Live At The Matrix frequently refers to the band as “The Solution.” It will be...

Every Brilliant Thing, @sohoplace review - return of the com...

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the...

Edinburgh Fringe 2025 reviews - Lily Phillips / Ayoade Bamgb...

Lily Phillips, Monkey Barrel ★★★★

Lily Phillips is keen to tell us at the top of her...

The Kingdom review - coming of age as the body count rises

The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer...

Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sa...

If you have never watched a single episode of the BBC period gangster drama Peaky Blinders, I am not sure what you would make...