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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Bridget Christie, The Haymarket, Basingstoke review - making the menopause funny

Tuesday, 07 March 2023 Read more...

Ricky Gervais, BIC review - nudging the boundaries again

Monday, 27 February 2023 Read more...

What's Love Got to Do With It? review - Jemima Khan's feelgood romcom

Monday, 27 February 2023 Read more...

'Weird Al' Yankovic, London Palladium review - deep dive into his original songs

Tuesday, 21 February 2023 Read more...

Catherine Cohen, Brighton Komedia review - songs and New York sass

Thursday, 09 February 2023 Read more...

Puss in Boots: The Last Wish review - thrilling adventure with Antonio Banderas

Saturday, 04 February 2023 Read more...

Lucy Porter, Cambridge Junction review - making light of a midlife crisis

Monday, 23 January 2023 Read more...

Best of 2022: Comedy

Friday, 30 December 2022 Read more...

Christmas shows 2022 round-up - panto is properly back

Friday, 23 December 2022 Read more...

Mother Goose, Duke of York's Theatre review - Ian McKellen returns as the Dame

Thursday, 22 December 2022 Read more...

10 Questions for comedian Alex Edelman

Monday, 19 December 2022 Read more...

Veronica Lee's Top 10 Films of 2022

Sunday, 18 December 2022 Read more...

A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc again

Thursday, 15 December 2022 Read more...

Tom Ward, Brighton Komedia review - offbeat observational gags

Monday, 12 December 2022 Read more...

Sara Pascoe, Assembly Hall, Tunbridge Wells review - motherhood and the perils of fame

Friday, 25 November 2022 Read more...

Jerry Sadowitz, Eventim Apollo review - brilliantly dark

Friday, 18 November 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
Works and Days, Edinburgh International Festival 2025 review...

With the sheer density of theatrical creations jostling for attention across...

MARS, Irish National Opera review - silly space oddity with...

The craft heads to Mars, the music remains below on earth. Which is partly intentional: composer Jennifer Walshe tells us she listened to “synth...

Tom at the Farm, Edinburgh Fringe 2025 review - desire and d...

As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm...

Eight Postcards from Utopia review - ads from the era when 1...

If you saw it blind, with no information about its origins, Eight Postcards from Utopia might look like 70 minutes of outtakes...

Music Reissues Weekly: The Final Solution - Just Like Gold

The booklet coming with Just Like Gold - Live At The Matrix frequently refers to the band as “The Solution.” It will be...

Every Brilliant Thing, @sohoplace review - return of the com...

The Fringe piece Duncan Macmillan devised with Jonny Donahoe in 2014 has since been round the world and back, finally landing in the...

Edinburgh Fringe 2025 reviews - Lily Phillips / Ayoade Bamgb...

Lily Phillips, Monkey Barrel ★★★★

Lily Phillips is keen to tell us at the top of her...

The Kingdom review - coming of age as the body count rises

The acorn doesn’t fall far from the tree is the bitter message of The Kingdom. Director and co-writer...

Peaky Blinders: The Redemption of Thomas Shelby, Rambert, Sa...

If you have never watched a single episode of the BBC period gangster drama Peaky Blinders, I am not sure what you would make...