fri 06/06/2025

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

It's a Sin, Channel 4 review - poignant, funny, vibrant masterpiece

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The Soldier's Tale, Scottish Chamber Orchestra online review - top performers master a baggy mini-monster

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Vienna New Year’s Day Concert, BBC Two/Radio 3 review - noble integrity and missionary zeal

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Best of 2020: Classical music concerts

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Best of 2020: Opera

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Royal Opera Christmas Concert online review – pajama party around the Nutcracker tree

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Upstart Crow: Lockdown Christmas 1603, BBC Two review – plaguey beaks and bubonidiots

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Zimerman, LSO, Rattle, LSO St Luke's review - rainbow colours, continuity and imperial soaring

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Gabriele Carcano, Fidelio Orchestra Cafe - fresh, funny and focused Beethoven

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Kanneh-Mason Trio/Cassadó Ensemble, Kings Place review - the fewer the players, the greater the music

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Fast Food, Fast Music, Spitalfields Festival online - sizzling, scintillating fun and mastery

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Mofidian, Britten Sinfonia, Elder, Saffron Hall review - meditations and mirth

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Small Axe: Alex Wheatle, BBC One review - elliptical telling of a writer's troubled early life

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L'enfant et les sortilèges, VOPERA, LPO, Reynolds online – Ravel and Colette reimagined

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Ariodante, Royal Opera online review – stylish, but confined

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Má Vlast, Czech Philharmonic, Bychkov online review – finest silk for Velvet Revolution anniversary concert

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Songhoy Blues, Hare & Hounds, Birmingham review – West A...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and music...

Album: Turnstile - NEVER ENOUGH

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...