wed 04/06/2025

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Bluebeard's Castle 1: Bullock, Finley, Theatre of Sound, Stone Nest review - scenes from a marriage

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Dmitri Alexeev and Friends, St John's Smith Square review - an almost breathless brio

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HMS Pinafore, English National Opera review - shipshape classic comedy craft

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Williams, City of London Sinfonia, Southwark Cathedral review - a British Isles cornucopia

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Royal Opera House lullabies for Little Amal

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The Rake's Progress, Glyndebourne Tour - a classic revitalized

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Die ägyptische Helena, Fulham Opera review - mythological mess impressively handled

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Ridley Road, BBC One review - Jewish community fights Nazi nightmare in 1960s London

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Tamestit, LSO, Ticciati, LSO St Luke's review - viola as chameleon, palpitating Brahms

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Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cake

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theartsdesk at the Two Moors Festival - birdsong, gongs and nocturnes in Dartmoor churches

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Philharmonia, Rouvali, RFH review - the really big orchestra is back for cosmic Strauss

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Jenůfa, Royal Opera review - Janáček scours the soul again in a compelling new take

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Carnac, BCMG, Kemp, Music@Malling Festival - lyrical Turnage frames abstruse fancies

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The Midsummer Marriage, LPO, Gardner, RFH review – Tippett’s cornucopia shines in fits and starts

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Our Future in Your Hands, Peckham School Choirs, Multi-Story Orchestra, Stark, Bold Tendencies review - blazing community epic

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fiddler on the Roof, Barbican review - lean, muscular delive...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in surroundings...

Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”:...

Letters from Max, Hampstead Theatre review - inventively sta...

In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of...

Bradford City of Culture 2025 review - new magic conjured fr...

Botanical forms, lurid and bright, now tower above a footpath on a moor otherwise famed for darkness and frankly terrible weather....

Album: Death In Vegas - Death Mask

A long time ago, in a galaxy far, far away called the late 1990s,...

La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall revi...

Chelsea Opera Group has made its own luck in winning the devotion of two great bel canto exponents: Nelly Miricioiu between 1998 and 2010...

Dept. Q, Netflix review - Danish crime thriller finds a new...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, ...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...