wed 27/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Triple Frontier, Netflix review - war-on-drugs thriller suffers identity crisis

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Cheat, ITV review - fear and loathing in academia

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Leaving Neverland: Michael Jackson and Me, Channel 4 review - sordid revelations from the court of the King of Pop

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Serenity review - a game of two ill-fitting halves

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Strike Back: Silent War, Sky 1 review - bullets, bodies, baddies and a stolen atom bomb

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The Aftermath review - it looks great but it lacks bite

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This Time with Alan Partridge, BBC One review - a man out of time?

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Only Fools and Horses, Theatre Royal Haymarket review - rollicking remake of much-loved TV sitcom

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Traitors, Channel 4 review - Cold War thriller fails to reach room temperature

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Shetland, Series 5, BBC One review - uneven start to new season

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Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

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Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

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Das Boot, Sky Atlantic review - menacing drama on land and sea

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theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

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Green Book review - is this Oscar hopeful too good to be true?

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

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'We are bowled over!' Thank you for your messages... ...
King & Conqueror, BBC One review - not many kicks in 106...

In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...