tv
Baby Reindeer, Netflix review - a misery memoir disturbingly presentedFriday, 19 April 2024
Richard Gadd won an Edinburgh Comedy Award in 2016 with material about being sexually abused by a man, in a set called Monkey See, Monkey Do that he performed on a treadmill with a gorilla at his back. Read more... |
Anthracite, Netflix review - murderous mysteries in the French AlpsTuesday, 16 April 2024
Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling French drama. Nonetheless, its story of a bizarre cult, a rapacious medical corporation and a trail of dead bodies stretching back through 30 years of history does somehow keep you coming back for more, if only to wonder how much more berserk proceedings can become. Read more... |
Ripley, Netflix review - Highsmith's horribly fascinating sociopath adrift in a sea of noirSaturday, 06 April 2024
There would have to be a good reason for making another screen version of Patricia Highsmith’s 1955 novel The Talented Mr Ripley, already successfully adapted by Anthony Minghella in his 1999 film. Read more... |
Scoop, Netflix review - revisiting a Right Royal nightmareFriday, 05 April 2024
What with the interminable Harry and Meghan saga, the death of the Queen and the recent health scares for Kate and King Chuck, this is just what the Royal Family needed – the exhumation of Prince Andrew’s catastrophic 2019 Newsnight interview with Emily Maitlis which probed his alarm-bell-jangling relationship with serial sexual abuser Jeffrey Epstein. Read more... |
RuPaul’s Drag Race UK vs the World Season 2, BBC Three review - fun, friendship and big talentsWednesday, 03 April 2024
In the finale of the latest RuPaul extravaganza to make it to the BBC, our hostess asks each of the competitors “why does the world need drag now more than ever?” The question needs detailed answers as increasingly more intense hate is hurled against the age-old art around the world, and it’s clear that the finals, at least when not all-American, are more a love-in than a competition. Read more... |
This Town, BBC One review - lurid melodrama in Eighties BrummielandMonday, 01 April 2024
Industrious screenwriter Steven Knight has brought us (among many other things) Peaky Blinders, SAS: Rogue Heroes and even Who Wants To Be a Millionaire?, but This Town may not be remembered as one of his finest hours. Here, we find Knight revisiting his Midlands background for a story that begins in 1981, during Margaret Thatcher’s first term as Prime Minister. Read more... |
Passenger, ITV review - who are they trying to kid?Thursday, 28 March 2024
The screenwriting debut of actor Andrew Buchan, Passenger ends up resembling a bunch of ingredients looking for a cake. Read more... |
3 Body Problem, Netflix review - life, the universe and everything (and a bit more)Tuesday, 26 March 2024
From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring attempt to dramatise Liu Cixin’s novel The Three-Body Problem. A mind-bending sci-fi epic spanning multiple decades, while also reaching centuries into the past and future, it can scarcely be faulted for lack of ambition, but sometimes there's just too much going on to digest properly. Read more... |
Manhunt, Apple TV+ review - all the President's menTuesday, 19 March 2024
President Abraham Lincoln was assassinated on 14 April 1865, five days after General Robert E Lee’s surrender at Appomatox signalled the end of the American Civil War. The ensuing chase to catch his killer, John Wilkes Booth, is the basis of Manhunt (based on James L Swanson’s book). Read more... |
The Gentlemen, Netflix review - Guy Ritchie's further adventures in GeezerworldTuesday, 12 March 2024
Welcome back to Guy Ritchie’s Geezerworld, familiar from such slices of lurid villainhood as Lock, Stock…, RocknRolla and The Gentlemen (the movie). The Gentlemen (the TV series) takes some cues from the similarly-named big-screen event from 2019, but becomes its own distinctive self as it unwinds across eight episodes. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Album: Rico Nasty – LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...
The Marching Band review - what's the French for '...
In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...
Lucy Farrell, Catherine MacLellan, The Green Note review - s...
Lucy Farrell, one quarter of the brilliant, award-winning Anglo-Scots band Furrow Collective, and a solo artist whose stunning debut album, We...
1536, Almeida Theatre review - fast and furious portrayal of...
Ava Pickett’s award-winning début play, 1536, is a foul-mouthed, furious, frenetically funny ride through the lives of three young women...
The Comedy About Spies, Noel Coward Theatre review - 'G...
From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...
Album: Billy Nomates - Metalhorse
Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...
House of Games, Hampstead Theatre review - adapted Mamet scr...
There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...
Karim Said, Leighton House review - adventures from Byrd to...
William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...