tv
Slipknot Unmasked: All Out Life, BBC iPlayer – masked metalheads reveal allMonday, 23 March 2020
There aren’t many metal bands like Slipknot. For a start, the nine-piece line-up consists of the standard vocalist, two guitars, bass and drums – but then there are also two percussionists, sampler and decks. Their music is consistently ferocious, with a hardcore, high-speed, ragging thump and semi-comprehensible lyrics that leaves no room for chart-friendly power ballads. Read more... |
The English Game, Netflix review - it's the toffs versus the workers in this version of sporting historySaturday, 21 March 2020
Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins. Read more... |
Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholingThursday, 19 March 2020
This patchwork of interviews and comments from male journalists and politicians interspersed with clips from television news and films, from The Godfather to The Avengers, was a zig-zag narrative of Dominic Cummings’s unique career as a political strategist. Read more... |
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit up the evidence of a past drug addiction. Read more... |
The Art Mysteries, BBC Four review - secrets and symbols of Van Gogh's famous self-portraitWednesday, 18 March 2020
Presenter Waldemar Januszczak suffers from something very like Robert Peston Syndrome, which makes him bellow at the camera and distort words as if they’re chewing gum he’s peeling off the sole of his shoe. Nonetheless he has a knack for finding fresh and revealing angles on art history, as he aims to do in this new series. Read more... |
Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilllerWednesday, 18 March 2020
Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. Read more... |
Sunnyside, Sky Comedy review - the immigrant experience and the American dreamTuesday, 17 March 2020
The multi-talented Kal Penn (Harold and Kumar, Designated Survivor, House) took a two-year acting sabbatical in 2009 to work for the Obama administration. Read more... |
Belgravia, ITV review - when the toffs and the nouveaux riches collidedMonday, 16 March 2020
The prolific Lord Fellowes returns with this six-part adaptation of his own novel (for ITV), a niftily-wrought yarn (originally issued in online instalments) about the old aristocracy and the rise of new money in the early 19th Century. Some are inevitably calling it the “new Downton”, but it really isn’t. Read more... |
The Test: A New Era for Australia's Team, Amazon Prime review - how ball-tampering scandal forced a cricket revolutionSaturday, 14 March 2020
It was in March 2018 that Australia’s cricketers were caught ball-tampering during a Test match in Cape Town. The resulting public outcry and sanctions against the guilty players and assorted backroom staff shook the Australian game to the core. Read more... |
Five Guys a Week, Channel 4 review - lemming-like contestants make spectacles of themselvesWednesday, 11 March 2020
Channel 4 loves to walk the line between the compulsive and the repulsive, and this new dating show, complete with fake-salacious title, is a peerless specimen. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Phoenician Scheme review - further adventures in the idi...
It’s not what he says, it’s the way he says it. Few filmmakers have bent the term “auteur” to their own ends more boldly than...
Album: Ammar 808 - Club Tounsi
Ammar 808 is the high octane vehicle for the Tunisian-born producer Sofyann Ben Youssef, now based in Denmark. His first album Maghreb United...
Mission: Impossible - The Final Reckoning review - can this...
Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...
Code of Silence, ITVX review - inventively presented reality...
In the guided tour of Britain’s cathedral cities that is the primetime TV...
The Crucible, Shakespeare's Globe review - stirring acc...
A society ruled by hysteria. Lurid lies that carry more currency than reality. There’s no shortage of reasons that...
Pixies, O2 Academy, Birmingham review - indie veterans pack...
Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of...
Album: Sports Team - Boys These Days
How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working...
Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...
With French baroque opera all but banished from the UK’s major...
Album: Stereolab - Instant Holograms on Metal Film
Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...