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Super Smart Animals, BBC One

howard Male Thursday, 09 February 2012

We humans think we’re the bee’s knees don’t we? We’ve got language, music, art, cars, fridges, bank accounts. Essentially we’ve left all of the other planet’s creatures faltering on the starting line.

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Prisoners' Wives, BBC One

Jasper Rees Wednesday, 08 February 2012

Prisoners’ Wives belongs in a hoary tradition of television drama which finds women doing it for themselves. The men are always otherwise engaged, being either dead or useless or, in the case of Prisoners’ Wives, as it implies on the tin. In the old days such dramas were usually written by one of Lucy Gannon or Lynda La Plante or Kay Mellor, but here the broad brushstrokes are applied by Julie Gearey.

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The Diamond Queen, BBC One

Adam Sweeting Tuesday, 07 February 2012

I can never quite work out Andrew Marr. Serious political journalist? Wannabe arts correspondent? Failed actor? Celebrity superfan? Anyway here he was, following the Queen around the world on a variety of exotic junkets, shouting at the camera and waving his arms about as if he'd been standing in the sun too long.

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The Cricklewood Greats, BBC Four

Kieron Tyler Monday, 06 February 2012

Walking into a Wickes DIY superstore in Cricklewood, north London, Peter Capaldi is overwhelmed. The history there isn’t obvious as shoppers scurry about. But he knows it’s the site of Cricklewood Studios, the engine of British cinema that churned out classics like Clog Capers of 1932, the horror benchmark Dr Worm and the hilarious Thumbs up Matron.

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Inside Men, BBC One

graeme Thomson Friday, 03 February 2012

It certainly started with a bang. The whirlwind opening sequence of the BBC's new four-part drama depicted a cash depot heist by a masked gang unfolding in something close to real time, and thrummed with blood and nervous tension. Security guard Chris was shot in the leg. His boss, John Coniston, was roughed up. Back at home, his family were being held hostage at gunpoint. Both men, it transpired, were in on the job, while warehouse worker Marcus was one of the armed gang.

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Confessions From the Underground, Channel 4

Kieron Tyler Friday, 03 February 2012

Although focusing on London’s Tube network, Confessions From the Underground brought up issues that aren’t unique to Britain’s infrastructure. Increasing usage versus declining levels of staff. Employees working against targets while being pushed to cut corners. It could have been the NHS or schools, but last night's documentary about the tube allowed the staff of London Underground to raise their concerns.

The Fixer, BBC Two

Jasper Rees Tuesday, 31 January 2012

It’s not a genre which springs too many surprises. Ever since Sir John Harvey-Jones strode into shot a good 20 years ago, the template was set for the sort-your-life-out documentary. Expert enters, throws up hands in horror, delivers a quantity of home truths, exits. Like the talent contest, it’s a flexi-format, applicable to kitchen cleanliness, child-rearing, the high street and, in the case of The Hotel Inspector, mouldy B&Bs on their uppers.

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Royal Marines: Mission Afghanistan, Channel 5

ASH Smyth Tuesday, 31 January 2012

As if by way of riposte to Birdsong’s ever-so-pensive treatment of late, last night’s Royal Marines: Mission Afghanistan brought warfare back to the 21^st century with an uncompromising thump. In Episode 1: Deadly Underfoot, Chris Terrill joined Lima Company, 42 Commando, as they took over from their Marine colleagues at Toki base, in the Nad-e Ali district of Helmand.

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Whitechapel, ITV1

Veronica Lee Tuesday, 31 January 2012

You may think that Whitechapel's USP would have made a third unlikely after two successful mini-series. The first was about a modern-day copycat killer in Whitechapel who was recreating the 1888 Jack the Ripper murders, while the second was about a modern-day copycat killer who was recreating the Kray twins murders from the 1960s.

Call the Midwife, BBC One

Adam Sweeting Monday, 30 January 2012

This adaptation of Jennifer Worth's memoirs about life as a midwife in 1950s east London has been a spectacular and instant hit, though it's difficult to believe its success can be solely due to its graphic scenes of screaming, blood-drenched childbirth. And at 8pm on a Sunday, too.