sun 15/06/2025

tv

The Bletchley Circle, Series 2, ITV

Lisa-Marie Ferla

For a drama as committed to the exploration of the changing role of women in post-war Britain, The Bletchley Circle isn’t above a little sleight of hand. The second series of the critically acclaimed whodunnit began with a flashback to 1943 and to Alice Merren (Hattie Morahan), a bright young codebreaker who quickly solves a puzzle that the menfolk have been bamboozled by for the past two days.

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The Bridge, Series 2, BBC Four / Hinterland, BBC One Wales

Jasper Rees

Why has Nordic noir been such an addictive novelty? Yes the plots are great, the locations moodily cool, the flat dialogue enigmatic. But in the end it’s all about gender. The detective who is a genius at work but clueless at life – we’ve seen it all before in a suit and tie and a battered mac. What’s different in equal-opportunity Scandinavia is that the dysfunctional crimebusters are beautiful bug-eyed Valkyries. Up north it’s the blokes who are the sidekicks.

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Sherlock, Series 3, BBC One

Adam Sweeting

In our big-bang globalised environment, Sherlock Holmes is now more like a Marvel Comics superhero than a mere "consulting detective".

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Agatha Christie's Marple: Endless Night, ITV

David Benedict

“Her most devastating surprise ever.” Thus spake The Guardian, a quote happily slapped across the cover of the first paperback edition of Agatha Christie’s 1967 thriller Endless Night. While I wouldn’t go quite that far – that honour goes to her still startling, genre-busting The Murder of Roger Ackroyd (1926) – it’s a compelling little chiller. Small wonder that ITV wanted it for their franchise.

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Moonfleet, Sky1

Adam Sweeting

They've had Ray Winstone all over Sky this Christmas, gamely plugging this new dramatisation of J Meade Falkner's rumbustious crowd-pleaser, Moonfleet. Ray's theme is that we urgently need more quality drama with broad appeal on TV and shouldn't keep relying on worn-out cliches about drug dealers and murderers.

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Queer as Pop, Channel 4 / The Joy of Abba, BBC Four

Tom Birchenough

Queer as Pop (****) was as much about social as musical history, and Nick Vaughan-Smith’s film told its story with a combination of outstanding archive material and some incisive interviewees, the archive taking fractionally more of the weight. Subtitled “From the Gay Scene to the Mainstream”, it started loosely in the Sixties, then jumped back and forth across the Atlantic until the present day as the story demanded.

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Television: 10 Top Performances from 2013

Adam Sweeting

No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise. An increasingly acute allergy to serial killer dramas meant I couldn't get too involved with Tony Grisoni's Southcliffe, let alone The Fall, with its extended, voyeuristic murder scenes.

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Death Comes to Pemberley, BBC One

Matthew Wright

At the time a mere 90 years old, detective novelist PD James raised literary eyebrows in 2011 with the publication of Death Comes to Pemberley, a crime-based sequel to Pride and Prejudice.

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Doctor Who: The Time of the Doctor, BBC One

Lisa-Marie Ferla

So long then, Matt Smith, and thanks for all the fish fingers and custard. I’m sure I wasn’t the only fan left scratching my head as the Eleventh Doctor, clad in smoking jacket and age-enhancing makeup, played out his final scenes - not least because I checked Twitter afterwards, just to make sure I hadn’t missed anything. I can’t begin to imagine what your family members, tuned in through force of habit as their turkey dinners digested, must have thought.

I’m not sure whether last...

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Downton Abbey Christmas Special, ITV / The Trachtate Middoth, BBC Two

Jasper Rees

A year ago it was all so different. Lady Mary gave birth and on his way home from the delivery suite Cousin Matthew steered his vintage soft-top into a tree trunk. There's rather less to report from Downton Abbey (***) this Christmas and the Daily Telegraph is free to devote its Boxing Day front page to something else. No actor has asked to be written out of the series, no one got engaged or even kissed, no one ended up in prison or even tears.

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