Visual arts
Southbank Centre, 2011 SeasonMonday, 17 January 2011
Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go... Read more... |
Gabriel Orozco, Tate ModernMonday, 17 January 2011
The show opens with his iconic 1991 piece, My Hands are My Heart, a double photograph of Orozco’s naked torso. In the first photograph his hands clutch a hidden object at chest-height; in the second the hands splay open to present to the viewer a... Read more... |
The Painter, Arcola TheatreMonday, 17 January 2011
Joseph Mallord William Turner - Billy to his intimates, such as he had - is the notional centre of The Painter, a snapshot of the great British landscape artist as a young iceberg. Toby Jones is the main draw in this world premiere of Rebecca... Read more... |
The Urethra Postcard Art of Gilbert & GeorgeFriday, 14 January 2011
Radio interviewer: “Are you Royalists?” George: “Of course! We’re not weird.” Gilbert & George may have been accused in the past of being coprophiliac pederast fascists (owing to their love of turds, anuses, young men with cropped hair and... Read more... |
Cindy Sherman, Sprüth Magers LondonFriday, 14 January 2011
One of the best things about a Cindy Sherman show is you never know what you’re going to get. And in this exhibition, of a new series of "Untitled" images, what you get is very surprising indeed. Sherman's photographs are not about her, but they... Read more... |
Photo Gallery: 50 Years of the Ballet, By Colin JonesThursday, 13 January 2011
Rudy and Margot do intensely serious barre in an Italian garden, Lynn Seymour enjoys a "Loyal Ballet" poster on a 1962 Japanese tour, in Glasgow two ballet girls snatch some rest in uncomfortable chairs. The real world of ballet, as shot by the... Read more... |
Manon de Boer, South London GalleryMonday, 10 January 2011
A well-groomed, middle-aged woman walks into view and lights a cigarette. She stands, she smokes, the camera gives us a steady close-up of her face. As she appears to reminisce, her face subtly registers a range of emotions. Is she agitated, sad,... Read more... |
theartsdesk in Cairo: Old Bones, New CoffinsSunday, 09 January 2011
The Egyptian Government is investing in the arts, which would normally be a cause for celebration. However, in building the National Museum of Egyptian Civilisation, it feels like the country’s cultural budget is being spent on another new display... Read more... |
Year Out/Year In: Art's Giants in Close-UpMonday, 03 January 2011
Last year gave us three giants of Post-Impressionism. The Royal Academy promised to unveil the real Van Gogh by showing us the man of letters; Tate Modern delivered a sumptuous survey of Gauguin; and a significantly smaller but nonetheless... Read more... |
theartsdesk in Brussels: The EU Takes On GoogleSunday, 02 January 2011
This year the Eurozone is going to be the big political subject; fragmentation the looming concern. Culturally too, one would think that Europe, with 23 official languages, and another 60 minority languages spoken, is too much of a warren to be able... Read more... |
Boxing Day Bloat: theartsdesk recommendsSaturday, 25 December 2010
Yesterday was yesterday. Today there's the rest of the week. What are the options? You could go to the shops and exchange all your presents, or you could pursue something more in the cultural line. To which end, theartsdesk is delighted to propose... Read more... |
Ben Johnson: Modern Perspectives, National GalleryThursday, 23 December 2010
Oh dearie, dearie me. Modern Perspectives sounded like it had such promise. Running alongside the big Canaletto show in the Sainsbury wing of the National Gallery, two finished works and one work in progress by Ben Johnson are on show in Room One... Read more... |
