Visual arts
Watercolour, Tate BritainTuesday, 15 February 2011
Does watercolour painting suffer from an image problem? Do you think of the wild, vaporous seascapes of Turner, or Victorian ladies at their sketchbooks dabbing daintily at wishy-washy flower paintings? Do you associate the medium with radical... Read more... |
theartsdesk in New York 1: Guitar MonthSunday, 13 February 2011
February is guitar month in New York City. Synchronicity rules at those two giants, the MoMA and the Met. At MoMA, Picasso: Guitars 1912-1914 shows his austere guitar paintings, collages and drawings - often using newspaper, wallpaper and sand - as... Read more... |
Art Gallery: Guitar Heroes - Legendary Craftsmen from Italy to New YorkSunday, 13 February 2011
From a guitar by Matteo Sellas dating back to Germany before 1630 to one made in New York by John Monteleone in 2008, the Metropolitan Museum of Art’s Guitar Heroes exhibition is will go down as the longest guitar solo slot in history. Including one... Read more... |
Douglas Gordon: K.364Friday, 11 February 2011
After writing about a recent survey of French artist Philippe Parreno at the Serpentine Gallery last year, I found myself wondering about his collaboration with the Scottish artist Douglas Gordon. In 2006 the two artists made the acclaimed film... Read more... |
Cory Arcangel, The Curve, BarbicanWednesday, 09 February 2011
It is probably a worrying sign when the computer games of your youth become the historical butt of a conceptual art joke. Digital artist Cory Arcangel, who appropriates video-game technology, repurposes and redesigns it, has installed 14 10-pin... Read more... |
Preserve Paolozzi!Wednesday, 09 February 2011
Some of London's most public, but probably least noticed, art is under threat: part of Eduardo Paolozzi's technicolour mosaics throughout Tottenham Court Road Tube station may have to be removed because of the station's massive Crossrail-led... Read more... |
Susan Hiller, Tate BritainThursday, 03 February 2011
Susan Hiller describes herself as a curator as well as an artist. She makes work out of objects that she’s collected over the years. She collates information, too, and personal testimonies. These all go toward making works whose primary aim is to... Read more... |
theartsdesk in Florence: Was This the Greatest Renaissance Show Ever Held?Sunday, 30 January 2011
Last weekend something happened that, to me at least, would once have been unimaginable: I slipped into a museum in Florence just after 10 o’clock on a Saturday night. Familiar paintings from the city’s great store lined the walls. Normally they’d... Read more... |
Photo Gallery: The Best View of Heaven is From HellSaturday, 29 January 2011
"There's a similarity between being a soldier and a photographer. They are both looking intensely for the moment." Bran Symondson would know. He served with the British Army in Afghanistan before returning to document the world of the Afghan... Read more... |
Martin Creed, Hauser & WirthThursday, 27 January 2011
Who could not love Martin Creed? The tweed-encased harumphers of the world adore him, because they can say, “That’s not art,” and, “My cat could do that,” and have an all-round wonderful time. Conceptualists have it easy: what could be more fun... Read more... |
Modern British Sculpture, Royal AcademyFriday, 21 January 2011
Austere, elegant, impressive. Edwin Lutyens’s Whitehall Cenotaph is a thing of beauty, a monument that embodies permanence in the face of all that is impermanent, and solidity in the face of all that is ephemeral. It’s an inspired decision to bring... Read more... |
Robert Mapplethorpe, Alison Jacques GalleryTuesday, 18 January 2011
The first thing to make clear is that Robert Mapplethorpe, notorious for his photograph of himself with a bullwhip up his arse, is not really a photographer: he is a sculptor who works in the medium of photography. What else can explain the... Read more... |
