Visual arts
Mike Nelson to represent Britain at the Venice BiennaleTuesday, 03 May 2011![]() Mostly the Venice Biennale passes me by entirely: ho-hum, another tired bit of Brit Art, I think, and turn the page. But Mike Nelson, twice nominated for the Turner Prize, is a terrific artist, too little seen, too odd, too unsettling to have... Read more... |
Ivor Abrahams, Mystery and Imagination, Royal AcademyWednesday, 27 April 2011![]() In this month of royal weddings, endless bank holidays and (possibly?) equally endless good weather, it can be hard to focus, so perhaps this is the perfect opportunity to catch up with a show that nearly got away. Instead of winsome blockbusters... Read more... |
Alice Anderson's Childhood Rituals, Freud MuseumSunday, 24 April 2011![]() Freud’s West Hampstead house is tied up in a cat’s cradle of thick rope. The rope is the same colour as the brick, a deep orange but with a sheeny lustre. It makes the house look not quite real, a Brobdingnagian doll’s house transplanted to this... Read more... |
Jean-Marc Bustamante, Timothy Taylor GalleryWednesday, 20 April 2011![]() Who or what is Jean-Marc Bustamante? This, surely, is the question we are supposed to ask of this artist of the affectless, who has skated in his three-decade-long career across the genres – first photography, then Minimalist sculpture, then a... Read more... |
Joan Miró: The Ladder of Escape, Tate ModernTuesday, 19 April 2011![]() I used to love Joan Miró. Those cute biomorphic forms; those elegantly elusive doodles; those engagingly befuddled, cartoonish faces, each staring forlornly out of the cosmic soup of Miró’s playful imagination; and, of course, those bright, jazzy... Read more... |
In the Beginning Was the Word: The King James Bible 400thSunday, 17 April 2011![]() The King James Bible, that great monument in the biography of the English language, is 400 years old this year. To use its own wording, it is as old as the hills, as old as Methuselah. Contemporaneous with Shakespeare, it has given us as many of the... Read more... |
theartsdesk in New York: Spruce Flats by GehrySunday, 17 April 2011![]() “Do you realise we’re talking about a rental apartment building? It’s unheard of,” says a friend. We’re standing on a street corner discussing the new Frank Gehry building in lower Manhattan. Most new apartment buildings here are concrete and... Read more... |
Revealed, Turner ContemporaryThursday, 14 April 2011![]() The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad... Read more... |
Turner Contemporary, MargateThursday, 14 April 2011The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad... Read more... |
Photo Gallery: Figures and Fiction - Contemporary South African Photography, V&AWednesday, 13 April 2011![]() It’s been 17 years since apartheid came to an end in South Africa, and the transition to democracy has not been an easy one, for while political systems may change, social attitudes may prove yet more difficult to shift. The Victoria and Albert... Read more... |
Deutsche Börse Photography Prize 2011, Ambika P3Thursday, 07 April 2011![]() You hardly expect to turn out for an exhibition of cutting-edge photography because of what the images are of. You go for the style, for the technique, for what’s being said about the medium and the, er, beauty. Yet at least one of the nominees for... Read more... |
The Cult of Beauty: The Aesthetic Movement 1860-1900, V&ASaturday, 02 April 2011![]() A cult suggests unhealthy worship, and there’s more than a whiff of that in the heady decadence of the V&A’s latest art and design blockbuster, The Cult of Beauty. This is an exhibition which examines how the influence of a small clique of... Read more... |
