wed 10/09/2025

Visual arts

George Shaw: The Sly and Unseen Day, South London Gallery

By anyone’s standards this is an obscure year for the Turner Prize shortlist: you should consider yourself a contemporary art aficionado if you’ve heard of even one of the artists. And if this is indeed the case, that artist is likely to be George...

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Egon Schiele, Richard Nagy Gallery

Egon Schiele, 'Woman With Homunculus', 1910

Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls....

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Kutlug Ataman, Brighton Festival/Thomas Dane Gallery, London

'Mayhem' features the Bosphorus, the narrow strip of water separating Europe and Asia

One of the highlights of this year’s Brighton Festival, curated largely via web chats and long-distance phone conversations by Aung San Suu Kyi, is Kutlug Ataman’s silent film installation Mesopotamian Dramaturgies. The leading Turkish artist, a...

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theartsdesk in Paris: Inside Anish Kapoor's Leviathan

All aboard! 4000 visitors a day are queuing up for a voyage in the belly of a whale. Anish Kapoor’s Leviathan, a commission for the Monumenta series at the Paris Grand Palais, is a runaway success, one of those Zeitgeist-attuned mega-installations...

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The Hepworth Wakefield

A town in desperate need of regeneration commissions David Chipperfield, the architect of the moment, to build an art gallery in the hope of attracting visitors with deep pockets. In case you are suffering an attack of déja vu, this is not an action...

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Max Bill, Annely Juda Fine Art

'green square with migrated pythagorean triangles' (1982) by Max Bill, the missing link in modern art

Max Bill might be the missing link in modern art. He died only in 1994, yet he studied at the Bauhaus in Dessau in the 1920s, taught by Josef Albers, László Moholy-Nagy, Paul Klee and Kandinsky. It is hard to imagine that someone who was working at...

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The Mountain That Had To Be Painted, BBC Four

Half of Wales is visible from the blustery summit. “Of all the hills which I saw in Wales,” recalled George Borrow, author of the prolix Victorian classic Wild Wales, “none made a greater impression upon me.” He was not alone. Arenig Fawr, a...

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Tracey Emin: Love Is What You Want, Hayward Gallery

That Tracey Emin is one of the defining personalities of our time isn’t in doubt. Even if you never want to hear another second of her guileless wittering, another word about her abortions, traumatic early rape and relentless onanistic...

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Christine Borland & Kerry Tribe, Camden Arts Centre

Christine Borland: 'Cast From Nature'

“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something...

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Photo Gallery: Moby, Destroyed

'Unattended Luggage Will Be Destroyed': Moby makes stark photographic use of an airport sign

As well as a new album, Destroyed, Moby is putting out a book of photographic prints under the same title. The idea of the book is to capture the essence of being on a global tour, from the mundanity of waiting in airports to the majesty of...

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Ai Weiwei, Lisson Gallery & Somerset House

Ai Weiwei: 'Circle of Animals/ Zodiac Heads'

It is now 37 days since Ai Weiwei was detained at Beijing international airport by the Chinese authorities. His family and friends have heard nothing since. His lawyer, to whom under Chinese law he must have access, was arrested as well, and since...

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Burke + Norfolk: Photographs From the War in Afghanistan, Tate Modern

A ferris wheel in Afghanistan: 'Simon Norfolk's colours are heightened, and there is a sense of disquieting stillness'

How easy is it to stage a dialogue between two artists when they are, in fact, separated by over a century? And is it really an artistic conversation that takes place or merely an imposition of values by the living over the dead? This pertinent...

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