sun 15/06/2025

violin

The Concert

Give any masterpiece of classical music a central role in a film - and everything else straightaway faces the highest standards of comparison. In Radu Mihaileanu’s The Concert, it's the Tchaikovsky violin concerto, and from the opening frames the...

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BeauSoleil, Queen Elizabeth Hall

Custodians of Cajun culture: BeauSoleil

Our story begins in the early 1970s, when a young fiddler from Louisiana named Michael Doucet was making rock music. Then one day he heard a song by Fairport Convention: “Cajun Woman” (from the band’s Unhalfbricking album). He was shocked and...

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Nigel Kennedy's Polish Adventure

Brilliant though it was to be shooting an Imagine film for BBC One, we did experience the occasional tremor of foreboding about making a programme with Nigel Kennedy. We (that's me and director Frank Hanly) had a bit of previous with Nigel - I'd...

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Chamber Orchestra of Europe, Fischer, Royal Festival Hall

Rossini provided the lively curtain-raisers to both halves of this Chamber Orchestra of Europe concert, streamed live to Aberdeen where Shell, the sponsors, have something of a vested interest in keeping their employees entertained. The liquid gold...

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Classical Music CDs Round-Up 8

Rhapsody in black and white: the Paul Whiteman Orchestra

This month the selection varies from sackbutts to serialism, by way of condensed Wagner, Elgar conducted by the much-missed Vernon Handley and music from both Shostakovich and a disciple of his. Among contemporary music there is Osvaldo Golijov’s...

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MacMillan premiere, Repin, LSO, Gergiev, Barbican Hall

"There is not one idea," wrote that intemperate critic Eduard Hanslick about Richard Strauss's Till Eulenspiegel, "that does not get its neck broken by the speed with which the next lands on its head." Rather a compliment, I've always thought, and...

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Christian & Tanja Tetzlaff, Leif Ove Andsnes, Wigmore Hall

Christian Tetzlaff: 'with his light clean tone he sounded not like a celebrated soloist but a melder, a listener and a joiner-in'

Chamber music is a highly motivational experience - here is a group of instruments of quite different qualities parading, fighting, ganging up, inviting each other’s new ideas, dialoguing, and all this variety heightening the build-up to the moment...

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Szymanowski Focus, Wigmore Hall

'Poland's most imaginative composer after Chopin': Szymanowski by Witkacy, 1930

Poland's most imaginative composer after Chopin, and his natural heir in the realm of sensual reverie, certainly knew how to yoke a full orchestra to his dreams and fantasies. Yet the work by Szymanowski I've most longed to hear in concert is the...

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Nigel Kennedy greets theartsdesk

Despite his "interesting" haircut and fondness for the undeleted expletive, violinist Nigel Kennedy is a man of exceptional taste and discernment. While recording his new jazz album Shhh! at Rockfield studios, he took time out to hail theartsdesk...

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Laurie Anderson, Barbican Theatre

“I want to tell you a story. About a story.” Thus spake Laurie Anderson at the beginning of her new show, Delusion, which is running for four nights as part of the Barbican’s Bite season. It was a typically cryptic, teasing prologue from a woman who...

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Philharmonia Orchestra, Muti, Royal Festival Hall

Back for another anniversary, Riccardo Muti: 'When he conducts the Philharmonia, the sound comes from the bottom upwards'

If all orchestras inspire a sense of loyalty to some degree, then the Philharmonia perhaps does it better than most. Mackerras is still performing with them, 54 years after he first conducted the orchestra; so is Maazel, who has clocked up 41 years...

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Hilary Hahn, Violin and Voice, Barbican

The considerate violinist: Hilary Hahn

Concert programming can become a little bit predictable, don’t you think? If we’re honest, there are quite a lot of standard programmes bouncing around our halls at the moment. Don’t get me wrong; I understand that putting together an original and...

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