sat 14/06/2025

violin

Mozart Unwrapped, Aurora Orchestra, Collon, Kings Place

 Which he filled, as it turned out, with mature aplomb - no tricks, no wild extremes, but plenty of colour, space and that rare knack of finding the right tempo at any point which is the instinctive gift of the born Mozart interpreter. The...

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Thomas Zehetmair, Wigmore Hall

Thomas Zehetmair: Rough intellectualism demands that listeners sit less than comfortably

Perhaps it was the effect of the elaborately mosaicked and marbled stage of the Wigmore Hall, but when a black-clad Thomas Zehetmair stepped out last night to occupy this space with just his violin and Bach for company, the image was incongruous....

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Julia Fischer, Martin Helmchen, Queen Elizabeth Hall

Fischer and Helmchen: A subtle duo making the most of Schumann's equal shares

An entire evening of Schumann for two would usually cue singer and piano. Not that the majority of Lieder specialists, blessed as naughty Anna Russell once saw it "with tremendous artistry but no voice", could hold the spell for that long. Julia...

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Bellowhead, Bristol Old Vic

Bellowhead are 21st-century genre-busters: punk music-hall madness born out of British folk, seasoned with a zeitgeist-friendly dose of multicultural spice. Sounds gimmicky? Well, not at all, as Bellowhead’s greatest quality, apart from being an...

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Interview: Violinist Nicola Benedetti goes Romantic

It’s not often that a serious musician goes into the recording studio to play requests. But as the closest that classical music strays to The X Factor (unless you count Paul Potts), Nicola Benedetti has a different kind of relationship with...

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Szymczewska, LPO, Vänskä, Royal Festival Hall

The flurry of fanfares at the start of Magnus Lindberg’s Al largo (UK premiere) sounded almost Waltonian. Or maybe that was because the prospect of Osmo Vänskä in Walton’s First Symphony was such an enticing one that premonitions of its highly...

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Mutter, LSO, Sir Colin Davis, Barbican

It didn't help that the London Symphony Chorus sounded rough and hectoring rather than earthily ecstatic - and I'm not sure how well they had been coached in the Czech-language mass settings. Heroic tenor Simon O'Neill, Sir Colin's last-minute...

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Mullova, London Symphony Orchestra, Nelsons, Barbican Hall

This season's LSO artist-in-focus, violinist Viktoria Mullova, is an incorrigible off-roader. The rougher the terrain the better. Early, modern, rock, folk: she'll absorb their shocks, vault their bumps, relish their pitfalls and come out without so...

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New Generation at Maida Vale

Eleven years is a long time when you're launching young talent on the world. Since 1999, BBC Radio 3's New Generation Artists have gone forth and multiplied. All the "graduates" have outstanding careers, and among them some of the names which will...

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The Seckerson Tapes: Opera North Double Bill

Opera North explores the creation of the violin in a new opera 'The Gypsy Bible' (above) and unveils a new production of 'The Turn of the Screw'

"It is a curious tale. I have it written in faded ink, a woman's hand, governess to two children, long ago..." So begins Benjamin Britten's operatic re-imagining of Henry James's ghostly chiller The Turn of the Screw. Oscar Wilde called it "a most...

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BBC Scottish Symphony Orchestra, Runnicles, Royal Albert Hall

Donald Runnicles: projecting a focused orchestral sound into the Albert Hall vasts

What a quintessential Prom: a quartet of works by English composers which aspire to international status, and in three cases wholly succeed, performed by the BBC's Scottish orchestra at world-class level under its homegrown but deservedly...

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Josefowicz, BBC Symphony Orchestra, Knussen, Royal Albert Hall

"Stockhausen's festive overture from 1977 opens the programme," declared the Proms website cheerily. Come again? Festive? Stockhausen? From my limited but largely enthusiastic knowledge of the music of Karlheinz Stockhausen - much of which is about...

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