Verdi
Falstaff, Glyndebourne Festival OperaMonday, 20 May 2013
In this revival of Richard Jones's 2009 production, the action has been very effectively shifted to post-war Windsor with Sir John Falstaff (Laurent Naouri) as down-at-heel gentry maintaining delusions of superiority, rubbing up against an ascendant... Read more... |
Don Carlo, Royal OperaSunday, 05 May 2013
An operatic truism still doing the rounds declares that for Verdi's Il trovatore you need four of the greatest singers in the world. For Don Carlo, his biggest opus in every way, you need six. Nicholas Hytner's Covent Garden staging hits the mark... Read more... |
Verdi's Requiem, Philharmonia Orchestra, Gatti, Royal Festival HallSunday, 21 April 2013
It was clear that there was an Italian on the podium. Muted strings invoked an atmosphere so crepuscular that, when one involuntarily closed one’s eyes, the murmur of voices intoning the words “Requiem aeternam” seemed to come from deep inside the... Read more... |
BBC Proms 2013: Ring operas for a fiver eachFriday, 19 April 2013
First, the good news: you can see Wagner’s entire Ring at the Royal Albert Hall, with absolutely the world’s finest Wagner singers and conductor in concert, for a grand total of £20. The bad news is that unless you have a season ticket – in which... Read more... |
Nabucco, Royal OperaTuesday, 16 April 2013
"Oh, wretched old man! You are but the shadow of the king”, sings Plácido Domingo’s Nebuchadnezzar about himself in Lear-like abjection before his Goneril-Reganish daughter (the flame-throwing Liudmyla Monastyrska). It’s only true of this brief... Read more... |
Simon Boccanegra, English Touring OperaSaturday, 09 March 2013
Simon Boccanegra has, as English Touring Opera’s director James Conway points out, never quite made the running outside Italy amid Verdi’s output. It went through three to five different versions in a short space of time. Despite the Romeo and... Read more... |
La Traviata, English National OperaSunday, 03 February 2013
How’s a good time girl to bare her beautiful soul when a director seems bent on cutting her down to puppet size? It doesn't bother me that Peter Konwitschny shears Verdi’s already concise score by about 20 minutes to shoehorn it into a one-act drama... Read more... |
Otello, Opera NorthThursday, 17 January 2013
The overpowering nastiness of Shakespeare’s source material is offset by Verdi’s sublime, impeccably judged music; this is a wonderful opera with barely a dud moment. Trust the score, get decent singers and an understanding, intelligent conductor,... Read more... |
QuartetTuesday, 01 January 2013
Assured, warm and comfy, Dustin Hoffman’s directorial debut Quartet is a tasteful farce of froths and strops. Hoffman’s always wanted to direct and it’s not like he hasn’t tried. Dead Poets Society slipped from his hands, both starring and directing... Read more... |
Otello, Royal Opera HouseFriday, 13 July 2012
Pardon the anomaly of a lightly browned-up Latvian Moor married to a German-Greek beauty. This, after all, is not Shakespeare’s play but Verdi’s opera, for which all too few are born to sing heroic tenor Otello and lyric-dramatic soprano Desdemona.... Read more... |
Falstaff, Royal OperaWednesday, 16 May 2012
I didn't know whether to sigh or to yawn. Another opera. Another 50s set. At least it started well. In an obsessively wood-panelled hunting lodge, fat Falstaff (Ambrogio Maestri) lies in his bed in filthy long johns amid a sea of empty silver... Read more... |
ENO's new 2012/13 season in fullTuesday, 24 April 2012The ENO's 2012/13 season includes premieres from Philip Glass (The Perfect American) and Michel van der Aa (Sunken Garden) and nine new productions from some of today's most iconoclastic stage directors. The Verdi bicentenary begins in the UK... Read more... |
